On Producing ShakespeareM. Joseph, 1950 - 335 pages |
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Page 135
... murder of Clarence in Richard III.87 Here there is a long and deliberately comic exchange between the two murderers - played presumably by two of the company's comic gang , who otherwise have little employment in this play - while their ...
... murder of Clarence in Richard III.87 Here there is a long and deliberately comic exchange between the two murderers - played presumably by two of the company's comic gang , who otherwise have little employment in this play - while their ...
Page 288
... murder with its objective details ( The Handle toward my Hand ... And on thy Blade , and Dudgeon , Gouts of Blood ) much more vividly than we could by merely seeing the actor plant his property - dagger wide of his victim's ribs ...
... murder with its objective details ( The Handle toward my Hand ... And on thy Blade , and Dudgeon , Gouts of Blood ) much more vividly than we could by merely seeing the actor plant his property - dagger wide of his victim's ribs ...
Page 294
Ronald Watkins. morning after the murder , the scene is in a sense timeless because the day is unnaturally turned to night . It seems there- fore like a choric interlude , giving information about the " official view " of the murder ...
Ronald Watkins. morning after the murder , the scene is in a sense timeless because the day is unnaturally turned to night . It seems there- fore like a choric interlude , giving information about the " official view " of the murder ...
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Common terms and phrases
acting action actors Alarum Antony and Cleopatra appearance atmosphere audience Baldwin Banquo battle Brutus Burbadge Casca Cassius Chamber Chamberlain's character climax comedy Cranford Adams Desdemona dialogue door doth dramatic dramatist E. K. Chambers E. M. W. Tillyard effect Elizabethan entry example eyes Falstaff Folio furniture give Globe Playhouse Gloucester Granville-Barker Hamlet Heavens Heminges Henry Henry IV Henry VI Hotspur Iago Iago's imagery imagination Julius Caesar Kent King John King Lear Lady Macbeth lines looke Lord Macduff Measure for Measure Merchant of Venice Midsummer Night's Dream miming modern murder opening Othello perhaps play players plot poet poet's poetic drama rhythm Richard Richard III Romeo and Juliet says scene Scene-Rotation seems sequence Shake Shakespeare soliloquy speaks speech stage Stage-Posts stagecraft Study and Platform Study curtains suggests Tarras theatre thee theme thou Tiring-House Troilus and Cressida Twelfth Night unlocalised