On Producing ShakespeareM. Joseph, 1950 - 335 pages |
From inside the book
Results 1-3 of 45
Page 56
... later than Shakespeare's own day : he may range freely before that date , but subsequent fashions are to be avoided as being foreign to Shakes- peare's vision . The great tragedies are also non - period in their timeless quality ...
... later than Shakespeare's own day : he may range freely before that date , but subsequent fashions are to be avoided as being foreign to Shakes- peare's vision . The great tragedies are also non - period in their timeless quality ...
Page 198
... later and greater works , when his imaginative range is still more ambitious than in Henry V , he no longer apologises for his resources . Think , for instance , of Antony and Cleopatra in this respect : the problem is not unlike " in ...
... later and greater works , when his imaginative range is still more ambitious than in Henry V , he no longer apologises for his resources . Think , for instance , of Antony and Cleopatra in this respect : the problem is not unlike " in ...
Page 269
... later in the play : I do presume sir , that you are not falne From the report that goes upon your goodnesse , And therefore goaded with most sharpe occasions , Which lay nice manners by , I put you to The use of your owne vertues , for ...
... later in the play : I do presume sir , that you are not falne From the report that goes upon your goodnesse , And therefore goaded with most sharpe occasions , Which lay nice manners by , I put you to The use of your owne vertues , for ...
Other editions - View all
Common terms and phrases
acting action actors Alarum Antony and Cleopatra appearance atmosphere audience Baldwin Banquo battle Brutus Burbadge Casca Cassius Chamber Chamberlain's character climax comedy Cranford Adams Desdemona dialogue door doth dramatic dramatist E. K. Chambers E. M. W. Tillyard effect Elizabethan entry example eyes Falstaff Folio furniture give Globe Playhouse Gloucester Granville-Barker Hamlet Heavens Heminges Henry Henry IV Henry VI Hotspur Iago Iago's imagery imagination Julius Caesar Kent King John King Lear Lady Macbeth lines looke Lord Macduff Measure for Measure Merchant of Venice Midsummer Night's Dream miming modern murder opening Othello perhaps play players plot poet poet's poetic drama rhythm Richard Richard III Romeo and Juliet says scene Scene-Rotation seems sequence Shake Shakespeare soliloquy speaks speech stage Stage-Posts stagecraft Study and Platform Study curtains suggests Tarras theatre thee theme thou Tiring-House Troilus and Cressida Twelfth Night unlocalised