On Producing ShakespeareM. Joseph, 1950 - 335 pages |
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Page 70
... kind of reminder ; as if these were the points where the noise becomes obtrusive above the dialogue . This can only be tested in practice , but we may take it for granted that a little will go a long way in creating the effect , and the ...
... kind of reminder ; as if these were the points where the noise becomes obtrusive above the dialogue . This can only be tested in practice , but we may take it for granted that a little will go a long way in creating the effect , and the ...
Page 71
... kind of sound for the famous knocking in Macbeth , different , for instance , from the knocking in Brutus ' orchard ; or to hit the appropriate timbre for the little bell which tells Macbeth that his " drinke is ready " ; to make the ...
... kind of sound for the famous knocking in Macbeth , different , for instance , from the knocking in Brutus ' orchard ; or to hit the appropriate timbre for the little bell which tells Macbeth that his " drinke is ready " ; to make the ...
Page 225
... kind of character - one may not call it a type - culminates in Hamlet , whom we all feel that we know as an intimate ... kind , which nevertheless persists among the minor figures side by side with the new kind . It is unnecessary at ...
... kind of character - one may not call it a type - culminates in Hamlet , whom we all feel that we know as an intimate ... kind , which nevertheless persists among the minor figures side by side with the new kind . It is unnecessary at ...
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Common terms and phrases
acting action actors Alarum Antony and Cleopatra appearance atmosphere audience Baldwin Banquo battle Brutus Burbadge Casca Cassius Chamber Chamberlain's character climax comedy Cranford Adams Desdemona dialogue door doth dramatic dramatist E. K. Chambers E. M. W. Tillyard effect Elizabethan entry example eyes Falstaff Folio furniture give Globe Playhouse Gloucester Granville-Barker Hamlet Heavens Heminges Henry Henry IV Henry VI Hotspur Iago Iago's imagery imagination Julius Caesar Kent King John King Lear Lady Macbeth lines looke Lord Macduff Measure for Measure Merchant of Venice Midsummer Night's Dream miming modern murder opening Othello perhaps play players plot poet poet's poetic drama rhythm Richard Richard III Romeo and Juliet says scene Scene-Rotation seems sequence Shake Shakespeare soliloquy speaks speech stage Stage-Posts stagecraft Study and Platform Study curtains suggests Tarras theatre thee theme thou Tiring-House Troilus and Cressida Twelfth Night unlocalised