On Producing ShakespeareM. Joseph, 1950 - 335 pages |
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Page 69
... effect we are trying to build up of a performance such as the Chamberlain's Men would have given . ( vi ) Effects The back - stage crew at the Globe would have had plenty to do , and one can imagine that their work was done - like that ...
... effect we are trying to build up of a performance such as the Chamberlain's Men would have given . ( vi ) Effects The back - stage crew at the Globe would have had plenty to do , and one can imagine that their work was done - like that ...
Page 70
... effect . The recurrent direction Storme still in King Lear reads also like a kind of reminder ; as if these were the points where the noise becomes obtrusive above the dialogue . This can only be tested in practice , but we may take it ...
... effect . The recurrent direction Storme still in King Lear reads also like a kind of reminder ; as if these were the points where the noise becomes obtrusive above the dialogue . This can only be tested in practice , but we may take it ...
Page 132
... effect of the opposite kind from that in Fig . ( b ) : the result is that the stage and even the play are , as it were , turned inside out , with an enfeebling effect upon much of the grouping , as will appear in what follows . The most ...
... effect of the opposite kind from that in Fig . ( b ) : the result is that the stage and even the play are , as it were , turned inside out , with an enfeebling effect upon much of the grouping , as will appear in what follows . The most ...
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Common terms and phrases
acting action actors Alarum Antony and Cleopatra appearance atmosphere audience Baldwin Banquo battle Brutus Burbadge Casca Cassius Chamber Chamberlain's character climax comedy Cranford Adams Desdemona dialogue door doth dramatic dramatist E. K. Chambers E. M. W. Tillyard effect Elizabethan entry example eyes Falstaff Folio furniture give Globe Playhouse Gloucester Granville-Barker Hamlet Heavens Heminges Henry Henry IV Henry VI Hotspur Iago Iago's imagery imagination Julius Caesar Kent King John King Lear Lady Macbeth lines looke Lord Macduff Measure for Measure Merchant of Venice Midsummer Night's Dream miming modern murder opening Othello perhaps play players plot poet poet's poetic drama rhythm Richard Richard III Romeo and Juliet says scene Scene-Rotation seems sequence Shake Shakespeare soliloquy speaks speech stage Stage-Posts stagecraft Study and Platform Study curtains suggests Tarras theatre thee theme thou Tiring-House Troilus and Cressida Twelfth Night unlocalised