On Producing ShakespeareM. Joseph, 1950 - 335 pages |
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Page 150
... character , would greatly enrich the high spirits of the earlier scenes by the contrast of serious mood and purpose . Hotspur projects his personality as soon as he opens his mouth , but there is plenty of other material to study for ...
... character , would greatly enrich the high spirits of the earlier scenes by the contrast of serious mood and purpose . Hotspur projects his personality as soon as he opens his mouth , but there is plenty of other material to study for ...
Page 199
... character , no bracketed adverbs to indicate the tone of a speech or the mood of a speaker . Yet in spite of this , even in reading , we have the most vivid impressions of atmosphere , of character , and of action , so that often people ...
... character , no bracketed adverbs to indicate the tone of a speech or the mood of a speaker . Yet in spite of this , even in reading , we have the most vivid impressions of atmosphere , of character , and of action , so that often people ...
Page 220
Ronald Watkins. creation of atmosphere , so also in character - drawing the method of the poetic drama not only gives us the character but also sometimes hints at how we should react to it . Ulysses ' portrait of Diomed— ' Tis he , I ken ...
Ronald Watkins. creation of atmosphere , so also in character - drawing the method of the poetic drama not only gives us the character but also sometimes hints at how we should react to it . Ulysses ' portrait of Diomed— ' Tis he , I ken ...
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Common terms and phrases
acting action actors Alarum Antony and Cleopatra appearance atmosphere audience Baldwin Banquo battle Brutus Burbadge Casca Cassius Chamber Chamberlain's character climax comedy Cranford Adams Desdemona dialogue door doth dramatic dramatist E. K. Chambers E. M. W. Tillyard effect Elizabethan entry example eyes Falstaff Folio furniture give Globe Playhouse Gloucester Granville-Barker Hamlet Heavens Heminges Henry Henry IV Henry VI Hotspur Iago Iago's imagery imagination Julius Caesar Kent King John King Lear Lady Macbeth lines looke Lord Macduff Measure for Measure Merchant of Venice Midsummer Night's Dream miming modern murder opening Othello perhaps play players plot poet poet's poetic drama rhythm Richard Richard III Romeo and Juliet says scene Scene-Rotation seems sequence Shake Shakespeare soliloquy speaks speech stage Stage-Posts stagecraft Study and Platform Study curtains suggests Tarras theatre thee theme thou Tiring-House Troilus and Cressida Twelfth Night unlocalised