On Producing ShakespeareM. Joseph, 1950 - 335 pages |
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Page 93
... Antony's the right - hand side . This is in fact the plan which is simply followed in the sequel . We learn later that the disposition of forces is : Octavius v . Brutus , Antony v . Cassius . In the former of these matches Brutus wins ...
... Antony's the right - hand side . This is in fact the plan which is simply followed in the sequel . We learn later that the disposition of forces is : Octavius v . Brutus , Antony v . Cassius . In the former of these matches Brutus wins ...
Page 156
... Antony ( Antony and Cleopatra ) , Timon , Pericles . We have already noticed that he played Bassanio and Prince Hal , and no doubt the weight of his personality preserved the balance where nowadays these plays usually suffer distortion ...
... Antony ( Antony and Cleopatra ) , Timon , Pericles . We have already noticed that he played Bassanio and Prince Hal , and no doubt the weight of his personality preserved the balance where nowadays these plays usually suffer distortion ...
Page 157
... Antony was perhaps his first big chance , and it is noteworthy that the obvious difference between this Antony and the later hero of Antony and Cleopatra corresponds with a difference in calibre between Cundall and Burbadge . 160 ...
... Antony was perhaps his first big chance , and it is noteworthy that the obvious difference between this Antony and the later hero of Antony and Cleopatra corresponds with a difference in calibre between Cundall and Burbadge . 160 ...
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Common terms and phrases
acting action actors Alarum Antony and Cleopatra appearance atmosphere audience Baldwin Banquo battle Brutus Burbadge Casca Cassius Chamber Chamberlain's character climax comedy Cranford Adams Desdemona dialogue door doth dramatic dramatist E. K. Chambers E. M. W. Tillyard effect Elizabethan entry example eyes Falstaff Folio furniture give Globe Playhouse Gloucester Granville-Barker Hamlet Heavens Heminges Henry Henry IV Henry VI Hotspur Iago Iago's imagery imagination Julius Caesar Kent King John King Lear Lady Macbeth lines looke Lord Macduff Measure for Measure Merchant of Venice Midsummer Night's Dream miming modern murder opening Othello perhaps play players plot poet poet's poetic drama rhythm Richard Richard III Romeo and Juliet says scene Scene-Rotation seems sequence Shake Shakespeare soliloquy speaks speech stage Stage-Posts stagecraft Study and Platform Study curtains suggests Tarras theatre thee theme thou Tiring-House Troilus and Cressida Twelfth Night unlocalised