Shakespeare's SoliloquiesRoutledge, 2013 M04 15 - 224 pages First published in 1987. |
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Page 3
... Elizabethan drama was founded on the conjunction of the most diverse dramatic genres and styles. Mystery play and morality play, Senecan tragedy and euphuistic comedy, popular spectacle, pageant and masque — all these had given rise to ...
... Elizabethan drama was founded on the conjunction of the most diverse dramatic genres and styles. Mystery play and morality play, Senecan tragedy and euphuistic comedy, popular spectacle, pageant and masque — all these had given rise to ...
Page 5
... Elizabethan audience in this way were felt to be true, to have a higher degree of objective validity than speeches exchanged between characters. Thus the soliloquy has with some justification been said to have contributed to the force ...
... Elizabethan audience in this way were felt to be true, to have a higher degree of objective validity than speeches exchanged between characters. Thus the soliloquy has with some justification been said to have contributed to the force ...
Page 8
... Elizabethan theatre, which he considered primitive and naive, was launched under the influence of naturalism, and it was not successfully refuted until the 1930s. Muriel Bradbrook was foremost among several English critics who insisted ...
... Elizabethan theatre, which he considered primitive and naive, was launched under the influence of naturalism, and it was not successfully refuted until the 1930s. Muriel Bradbrook was foremost among several English critics who insisted ...
Page 17
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Contents
1 | |
13 | |
3 SOLILOQUIES FROM THE COMEDIES AND ROMANCES | 45 |
4 SOLILOQUIES FROM THE TRAGEDIES | 88 |
5 CONCLUSION | 179 |
NOTES | 193 |
SELECT BIBLIOGRAPHY | 210 |
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Common terms and phrases
abstract action actor already Angelo apostrophe appearance audience audience’s awareness becomes beginning Brutus Caesar character Clemen comedy comic contrast conventions convey Cymbeline dagger death deed Desdemona dialogue difficult dramatic dramatists effect Elizabethan emotions epithalamium expression eyes Falstaff father feeling figure final finally find first act first soliloquy follow Gentlemen of Verona gestures give Hamlet hath Helena Henry IV honour Iachimo imagery imagination Imogen’s impression influence Isabella Juliet julius Caesar King Lear Lady Macbeth language Launce Lear’s lines London loquy Lucius magic Malvolio mind monologue murder nature night Othello particular passage personification powers preceding presented Prospero questions reflection rhetorical Richard Richard III Romeo Romeo and juliet scene sense sentence sequence Shakespeare Survey Shakespeare’s plays Shakespeare’s soliloquies significance situation sleep soli speak speaker specific speech spoken stage style thee There’s thou thoughts tragedies tragic Twelfth Night Tybalt vision words