Art and Illusion in The Winter's TaleManchester University Press, 1994 - 283 pages This work treats a single Shakespeare play from a number of perspectives. The author combines insights from contemporary psychology with art, social and stage histories to challenge the limits of current positivist critical theories. The book also has a central theme: how the dark side of art and illusion must be represented in order to establish the redemptive pattern which The Winter's Tale shares with Shakespeare's other late tragi-comedies. |
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Page 41
... tion ' of his spite , sarcasm , intolerance , sexual revulsion and mur- derous contempt for truth . We recall that when Hermione asks Leontes to recollect their courtship , she buttresses her request with the teasing plea ' make's / As ...
... tion ' of his spite , sarcasm , intolerance , sexual revulsion and mur- derous contempt for truth . We recall that when Hermione asks Leontes to recollect their courtship , she buttresses her request with the teasing plea ' make's / As ...
Page 212
... tion to genital origins . 94 Chasseguet - Smirgel , 1985 , pp . 87–8 . 95 Freud , 1977b . Chapter 4 1 This translation of the Latin epitaph is in Pafford , 1966 , p . 150n . 2 The falsification of the epitaph is discussed in Gombrich ...
... tion to genital origins . 94 Chasseguet - Smirgel , 1985 , pp . 87–8 . 95 Freud , 1977b . Chapter 4 1 This translation of the Latin epitaph is in Pafford , 1966 , p . 150n . 2 The falsification of the epitaph is discussed in Gombrich ...
Page 245
... tion of the audience immediately before Hermione is revealed as a painted statue . ' 21 Livingston , 1969 , pp . 345–51 , makes an extended case for the perverse , manipulative , unnatural , even castrating in his ' art ' , arguing its ...
... tion of the audience immediately before Hermione is revealed as a painted statue . ' 21 Livingston , 1969 , pp . 345–51 , makes an extended case for the perverse , manipulative , unnatural , even castrating in his ' art ' , arguing its ...
Contents
Aesthetic codes and Renaissance concepts | 10 |
Shakespeares portrait of the individual | 31 |
metamorphic | 55 |
Copyright | |
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accept according actual appears Aretino argued artistic audience Autolycus bear become believe called Camillo chapter character claim colour complex concerning connection consider course court courtiers critics death described desire discussed effect emotional England English especially evidence expressed feelings figure Flora Florizel flowers Giulio Giulio Romano gives Gombrich hand Hermione Hermione's historical holds human idea imagination important instance interest interpretation Italian Italy John kind King knowledge late later Leontes less living marriage meaning mind nature offers original painted particular Paulina's Perdita perhaps play play's Polixenes possible present psychological question reading references relation Renaissance represented role says scene seems seen sexual Shake Shakespeare's shows similar social soliloquy sort specific statue stone studies suggest symbolic theatrical theory tion tradition visual Winter's Tale witchcraft witches writers