Art and Illusion in The Winter's TaleManchester University Press, 1994 - 283 pages This work treats a single Shakespeare play from a number of perspectives. The author combines insights from contemporary psychology with art, social and stage histories to challenge the limits of current positivist critical theories. The book also has a central theme: how the dark side of art and illusion must be represented in order to establish the redemptive pattern which The Winter's Tale shares with Shakespeare's other late tragi-comedies. |
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Page 17
... speak of it as merely visual and verbal – i.e. , as if those two categories exclusively defined the means by which he works on us – and , even more , if we speak as if his visual and verbal languages merely duplicated each other i.e. ...
... speak of it as merely visual and verbal – i.e. , as if those two categories exclusively defined the means by which he works on us – and , even more , if we speak as if his visual and verbal languages merely duplicated each other i.e. ...
Page 28
... speak in rapid succession for ' himself ' personally and for others thematically , or Mamillius may speak simultaneously as a morality- play - like Icon and as a believable little boy . In such ways Shakespeare's style in the play comes ...
... speak in rapid succession for ' himself ' personally and for others thematically , or Mamillius may speak simultaneously as a morality- play - like Icon and as a believable little boy . In such ways Shakespeare's style in the play comes ...
Page 127
... speak , and tell him plainly , The selfsame sun that shines upon his court Hides not his visage from our cottage , but Looks on alike . ( IV , iv , 443-7 ) To this she adds , less famously , but tellingly , ' Will't please you , sir ...
... speak , and tell him plainly , The selfsame sun that shines upon his court Hides not his visage from our cottage , but Looks on alike . ( IV , iv , 443-7 ) To this she adds , less famously , but tellingly , ' Will't please you , sir ...
Contents
Aesthetic codes and Renaissance concepts | 10 |
Shakespeares portrait of the individual | 31 |
metamorphic | 55 |
Copyright | |
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accept according actual appears Aretino argued artistic audience Autolycus bear become believe called Camillo chapter character claim colour complex concerning connection consider course court courtiers critics death described desire discussed effect emotional England English especially evidence expressed feelings figure Flora Florizel flowers Giulio Giulio Romano gives Gombrich hand Hermione Hermione's historical holds human idea imagination important instance interest interpretation Italian Italy John kind King knowledge late later Leontes less living marriage meaning mind nature offers original painted particular Paulina's Perdita perhaps play play's Polixenes possible present psychological question reading references relation Renaissance represented role says scene seems seen sexual Shake Shakespeare's shows similar social soliloquy sort specific statue stone studies suggest symbolic theatrical theory tion tradition visual Winter's Tale witchcraft witches writers