Art and Illusion in The Winter's TaleManchester University Press, 1994 - 283 pages This work treats a single Shakespeare play from a number of perspectives. The author combines insights from contemporary psychology with art, social and stage histories to challenge the limits of current positivist critical theories. The book also has a central theme: how the dark side of art and illusion must be represented in order to establish the redemptive pattern which The Winter's Tale shares with Shakespeare's other late tragi-comedies. |
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Page 14
... reading or other cultural experiences , analysis of sources or echoes of contemporary culture . This , of course ... readers , producers or audiences to obtain vital theatrical understanding . The need for imaginative empathy is ...
... reading or other cultural experiences , analysis of sources or echoes of contemporary culture . This , of course ... readers , producers or audiences to obtain vital theatrical understanding . The need for imaginative empathy is ...
Page 169
... reading could be theatrically portrayed ( it was proposed for the theatre ) , it would have the power to make not only the character of Leontes , and the statue scene , but also a grateful au- dience , ' more human ' as well . I would ...
... reading could be theatrically portrayed ( it was proposed for the theatre ) , it would have the power to make not only the character of Leontes , and the statue scene , but also a grateful au- dience , ' more human ' as well . I would ...
Page 223
... readings of the scene . But scepticism about this reading has also been heard for a long time : Pettet , 1949b , p . 194 , is very doubtful about the sort of view in Tillyard , 1938 , p . 43 , in which the Bohemian countryside is ' the ...
... readings of the scene . But scepticism about this reading has also been heard for a long time : Pettet , 1949b , p . 194 , is very doubtful about the sort of view in Tillyard , 1938 , p . 43 , in which the Bohemian countryside is ' the ...
Contents
Aesthetic codes and Renaissance concepts | 10 |
Shakespeares portrait of the individual | 31 |
metamorphic | 55 |
Copyright | |
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accept according actual appears Aretino argued artistic audience Autolycus bear become believe called Camillo chapter character claim colour complex concerning connection consider course court courtiers critics death described desire discussed effect emotional England English especially evidence expressed feelings figure Flora Florizel flowers Giulio Giulio Romano gives Gombrich hand Hermione Hermione's historical holds human idea imagination important instance interest interpretation Italian Italy John kind King knowledge late later Leontes less living marriage meaning mind nature offers original painted particular Paulina's Perdita perhaps play play's Polixenes possible present psychological question reading references relation Renaissance represented role says scene seems seen sexual Shake Shakespeare's shows similar social soliloquy sort specific statue stone studies suggest symbolic theatrical theory tion tradition visual Winter's Tale witchcraft witches writers