Art and Illusion in The Winter's TaleManchester University Press, 1994 - 283 pages This work treats a single Shakespeare play from a number of perspectives. The author combines insights from contemporary psychology with art, social and stage histories to challenge the limits of current positivist critical theories. The book also has a central theme: how the dark side of art and illusion must be represented in order to establish the redemptive pattern which The Winter's Tale shares with Shakespeare's other late tragi-comedies. |
From inside the book
Results 1-3 of 14
Page 8
... perspectives'.26 I believe that especially The Winter's Tale warrants many and varied viewings from a wide range of angles within the large cultural viewing space that it dominates . Let me try to locate my own ' perspective ...
... perspectives'.26 I believe that especially The Winter's Tale warrants many and varied viewings from a wide range of angles within the large cultural viewing space that it dominates . Let me try to locate my own ' perspective ...
Page 22
... perspective and gradations of light . Thus Leonardo saw sculpture as a lesser art than painting because its product is more like the thing represented . 60 This anti - objectivist doctrine , claiming that unlikeness on the sheer ...
... perspective and gradations of light . Thus Leonardo saw sculpture as a lesser art than painting because its product is more like the thing represented . 60 This anti - objectivist doctrine , claiming that unlikeness on the sheer ...
Page 270
... Perspective Art . ' Bucknell Review : A Scholarly Journal of Letters , Arts and Sciences 30 ( 1986 ) : 17–36 . Verheyen , Egon . The Palazzo del Te in Mantua : Images of Love and Politics . Baltimore , 1977 . Waage , Frederick O. ' Be ...
... Perspective Art . ' Bucknell Review : A Scholarly Journal of Letters , Arts and Sciences 30 ( 1986 ) : 17–36 . Verheyen , Egon . The Palazzo del Te in Mantua : Images of Love and Politics . Baltimore , 1977 . Waage , Frederick O. ' Be ...
Contents
Aesthetic codes and Renaissance concepts | 10 |
Shakespeares portrait of the individual | 31 |
metamorphic | 55 |
Copyright | |
4 other sections not shown
Other editions - View all
Common terms and phrases
accept according actual appears Aretino argued artistic audience Autolycus bear become believe called Camillo chapter character claim colour complex concerning connection consider course court courtiers critics death described desire discussed effect emotional England English especially evidence expressed feelings figure Flora Florizel flowers Giulio Giulio Romano gives Gombrich hand Hermione Hermione's historical holds human idea imagination important instance interest interpretation Italian Italy John kind King knowledge late later Leontes less living marriage meaning mind nature offers original painted particular Paulina's Perdita perhaps play play's Polixenes possible present psychological question reading references relation Renaissance represented role says scene seems seen sexual Shake Shakespeare's shows similar social soliloquy sort specific statue stone studies suggest symbolic theatrical theory tion tradition visual Winter's Tale witchcraft witches writers