Art and Illusion in The Winter's TaleManchester University Press, 1994 - 283 pages This work treats a single Shakespeare play from a number of perspectives. The author combines insights from contemporary psychology with art, social and stage histories to challenge the limits of current positivist critical theories. The book also has a central theme: how the dark side of art and illusion must be represented in order to establish the redemptive pattern which The Winter's Tale shares with Shakespeare's other late tragi-comedies. |
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Page 12
... imagination ' . Gombrich maintained that that or an equivalent concept is needed to ' account for the capacity of ... imagination ' , its relegation to the historical cupboard labelled Romanticism , I will not undersell the importance of ...
... imagination ' . Gombrich maintained that that or an equivalent concept is needed to ' account for the capacity of ... imagination ' , its relegation to the historical cupboard labelled Romanticism , I will not undersell the importance of ...
Page 14
... imagination is called on to empathise simul- taneously with usually diverse imaginative functions . Furthermore , this play instances in an extreme form Gombrich's concept of artistic evocation through an intentional ' absence of ...
... imagination is called on to empathise simul- taneously with usually diverse imaginative functions . Furthermore , this play instances in an extreme form Gombrich's concept of artistic evocation through an intentional ' absence of ...
Page 39
... imaginations in such a way as to permit a backward reiteration through time , making forward change possible ... imaginative encounter with Julio Romano's work of non- art . Leontes ' moment of anagnorisis occurs , I believe , just ...
... imaginations in such a way as to permit a backward reiteration through time , making forward change possible ... imaginative encounter with Julio Romano's work of non- art . Leontes ' moment of anagnorisis occurs , I believe , just ...
Contents
Aesthetic codes and Renaissance concepts | 10 |
Shakespeares portrait of the individual | 31 |
metamorphic | 55 |
Copyright | |
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accept according actual appears Aretino argued artistic audience Autolycus bear become believe called Camillo chapter character claim colour complex concerning connection consider course court courtiers critics death described desire discussed effect emotional England English especially evidence expressed feelings figure Flora Florizel flowers Giulio Giulio Romano gives Gombrich hand Hermione Hermione's historical holds human idea imagination important instance interest interpretation Italian Italy John kind King knowledge late later Leontes less living marriage meaning mind nature offers original painted particular Paulina's Perdita perhaps play play's Polixenes possible present psychological question reading references relation Renaissance represented role says scene seems seen sexual Shake Shakespeare's shows similar social soliloquy sort specific statue stone studies suggest symbolic theatrical theory tion tradition visual Winter's Tale witchcraft witches writers