Art and Illusion in The Winter's TaleManchester University Press, 1994 - 283 pages This work treats a single Shakespeare play from a number of perspectives. The author combines insights from contemporary psychology with art, social and stage histories to challenge the limits of current positivist critical theories. The book also has a central theme: how the dark side of art and illusion must be represented in order to establish the redemptive pattern which The Winter's Tale shares with Shakespeare's other late tragi-comedies. |
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Page 151
... death ' to preserve her . But Paulina's persistence in falsehood has obscurer excuses . According to most modern understandings , the original and con- tinued dissimulation of Hermione's death would have been unknowable to a ' first ...
... death ' to preserve her . But Paulina's persistence in falsehood has obscurer excuses . According to most modern understandings , the original and con- tinued dissimulation of Hermione's death would have been unknowable to a ' first ...
Page 160
... death are often traumatic or even disas- trous to the living . ' 70 A special bitterness about Hermione's deceptive ' death ' is well delineated by comparison with the death of Thaisa in Pericles . She , like Hermione , is said to die ...
... death are often traumatic or even disas- trous to the living . ' 70 A special bitterness about Hermione's deceptive ' death ' is well delineated by comparison with the death of Thaisa in Pericles . She , like Hermione , is said to die ...
Page 239
... deaths are disastrously destructive in Richard II , Romeo and Juliet and Antony and Cleopatra . 71 These are classic ... death creates trouble not only for the grieving ' survivors ' but also for the perpetrators . In these , usually ...
... deaths are disastrously destructive in Richard II , Romeo and Juliet and Antony and Cleopatra . 71 These are classic ... death creates trouble not only for the grieving ' survivors ' but also for the perpetrators . In these , usually ...
Contents
Aesthetic codes and Renaissance concepts | 10 |
Shakespeares portrait of the individual | 31 |
metamorphic | 55 |
Copyright | |
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accept according actual appears Aretino argued artistic audience Autolycus bear become believe called Camillo chapter character claim colour complex concerning connection consider course court courtiers critics death described desire discussed effect emotional England English especially evidence expressed feelings figure Flora Florizel flowers Giulio Giulio Romano gives Gombrich hand Hermione Hermione's historical holds human idea imagination important instance interest interpretation Italian Italy John kind King knowledge late later Leontes less living marriage meaning mind nature offers original painted particular Paulina's Perdita perhaps play play's Polixenes possible present psychological question reading references relation Renaissance represented role says scene seems seen sexual Shake Shakespeare's shows similar social soliloquy sort specific statue stone studies suggest symbolic theatrical theory tion tradition visual Winter's Tale witchcraft witches writers