Art and Illusion in The Winter's TaleManchester University Press, 1994 - 283 pages This work treats a single Shakespeare play from a number of perspectives. The author combines insights from contemporary psychology with art, social and stage histories to challenge the limits of current positivist critical theories. The book also has a central theme: how the dark side of art and illusion must be represented in order to establish the redemptive pattern which The Winter's Tale shares with Shakespeare's other late tragi-comedies. |
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Page 160
... contrasts with than aligns with contemporary analogues . " 74 72 A particularly vivid contrast can be made with George Chapman's sardonically mordant comedy The Widow's Tears ( c . 1605 ) . In this play Lycus and Tharsalio collude in a ...
... contrasts with than aligns with contemporary analogues . " 74 72 A particularly vivid contrast can be made with George Chapman's sardonically mordant comedy The Widow's Tears ( c . 1605 ) . In this play Lycus and Tharsalio collude in a ...
Page 180
... contrast for Leontes ' achievement of it ' . This is because I do not believe that the prin- ciple of contrast gives the full measure of Autolycus ' importance . 55 57 Yet Autolycus does parody or inversely mirror many aspects of the ...
... contrast for Leontes ' achievement of it ' . This is because I do not believe that the prin- ciple of contrast gives the full measure of Autolycus ' importance . 55 57 Yet Autolycus does parody or inversely mirror many aspects of the ...
Page 216
... contrast with the other three frescos of the series which feature notably free goddesses , with Cupid , outdoors . These are re- produced in Saari , 1984 , pp . 76–7 . 47 Sidney , 1961 , p . 41 . 48 Arguably , they could be seen as ...
... contrast with the other three frescos of the series which feature notably free goddesses , with Cupid , outdoors . These are re- produced in Saari , 1984 , pp . 76–7 . 47 Sidney , 1961 , p . 41 . 48 Arguably , they could be seen as ...
Contents
Aesthetic codes and Renaissance concepts | 10 |
Shakespeares portrait of the individual | 31 |
metamorphic | 55 |
Copyright | |
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accept according actual appears Aretino argued artistic audience Autolycus bear become believe called Camillo chapter character claim colour complex concerning connection consider course court courtiers critics death described desire discussed effect emotional England English especially evidence expressed feelings figure Flora Florizel flowers Giulio Giulio Romano gives Gombrich hand Hermione Hermione's historical holds human idea imagination important instance interest interpretation Italian Italy John kind King knowledge late later Leontes less living marriage meaning mind nature offers original painted particular Paulina's Perdita perhaps play play's Polixenes possible present psychological question reading references relation Renaissance represented role says scene seems seen sexual Shake Shakespeare's shows similar social soliloquy sort specific statue stone studies suggest symbolic theatrical theory tion tradition visual Winter's Tale witchcraft witches writers