Art and Illusion in The Winter's TaleManchester University Press, 1994 - 283 pages This work treats a single Shakespeare play from a number of perspectives. The author combines insights from contemporary psychology with art, social and stage histories to challenge the limits of current positivist critical theories. The book also has a central theme: how the dark side of art and illusion must be represented in order to establish the redemptive pattern which The Winter's Tale shares with Shakespeare's other late tragi-comedies. |
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Page 96
... Shake- speare's England . If Shakespeare had considerable knowledge of the historical Giulio's life and work , he would have known that he neither was a sculptor nor had many chances for working in private . Through much of his career ...
... Shake- speare's England . If Shakespeare had considerable knowledge of the historical Giulio's life and work , he would have known that he neither was a sculptor nor had many chances for working in private . Through much of his career ...
Page 246
... Shake- speare's numerous mentions of Mercury present him simply as a swift messenger . However there is an exception to this in the very last line of Love's Labour's Lost , spoken by Don Armado : ' The words of Mercury are harsh after ...
... Shake- speare's numerous mentions of Mercury present him simply as a swift messenger . However there is an exception to this in the very last line of Love's Labour's Lost , spoken by Don Armado : ' The words of Mercury are harsh after ...
Page 267
... Shake- speare's Troilus and Cressida . ' The Undiscover'd Country . Ed . B. J. Sokol . London , 1993. 130–49 . Shoemaker , Innis H. The Engravings of Marcantonio Raimondi . Exhibition catalogue for the Spenser Museum of Art . Lawrence ...
... Shake- speare's Troilus and Cressida . ' The Undiscover'd Country . Ed . B. J. Sokol . London , 1993. 130–49 . Shoemaker , Innis H. The Engravings of Marcantonio Raimondi . Exhibition catalogue for the Spenser Museum of Art . Lawrence ...
Contents
Aesthetic codes and Renaissance concepts | 10 |
Shakespeares portrait of the individual | 31 |
metamorphic | 55 |
Copyright | |
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