Art and Illusion in The Winter's TaleManchester University Press, 1994 - 283 pages This work treats a single Shakespeare play from a number of perspectives. The author combines insights from contemporary psychology with art, social and stage histories to challenge the limits of current positivist critical theories. The book also has a central theme: how the dark side of art and illusion must be represented in order to establish the redemptive pattern which The Winter's Tale shares with Shakespeare's other late tragi-comedies. |
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Page 210
... Marston , 1598 , it is retold in deliberately shocking erotic detail . In the same volume Marston later tried to pass this off as satire , but his sincerity in this is questioned in Axelrad , 210 Notes to pp . 73–76.
... Marston , 1598 , it is retold in deliberately shocking erotic detail . In the same volume Marston later tried to pass this off as satire , but his sincerity in this is questioned in Axelrad , 210 Notes to pp . 73–76.
Page 219
... Marston's ' The Scourge of Villanie ' IX , 144 , Marston , 1961 , p . 171. The commentary in ibid . , p . 366 , ac- cepts Bullen's view that this is a false attribution to Aretino of a poem by a follower , called ' La Puttana Errante ...
... Marston's ' The Scourge of Villanie ' IX , 144 , Marston , 1961 , p . 171. The commentary in ibid . , p . 366 , ac- cepts Bullen's view that this is a false attribution to Aretino of a poem by a follower , called ' La Puttana Errante ...
Page 220
... Marston thus calumniates in his 1598 The Scourge of Villanie , III , 79– 80 , rpt in Marston , 1961 , p . 113 : ' greasie Aretine / . . . surnam'd diuine ' . Guilpin , 1592 , Satyre Preludium , sig . C1r , in favour of epigram and ...
... Marston thus calumniates in his 1598 The Scourge of Villanie , III , 79– 80 , rpt in Marston , 1961 , p . 113 : ' greasie Aretine / . . . surnam'd diuine ' . Guilpin , 1592 , Satyre Preludium , sig . C1r , in favour of epigram and ...
Contents
Aesthetic codes and Renaissance concepts | 10 |
Shakespeares portrait of the individual | 31 |
metamorphic | 55 |
Copyright | |
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