Art and Illusion in The Winter's TaleManchester University Press, 1994 - 283 pages This work treats a single Shakespeare play from a number of perspectives. The author combines insights from contemporary psychology with art, social and stage histories to challenge the limits of current positivist critical theories. The book also has a central theme: how the dark side of art and illusion must be represented in order to establish the redemptive pattern which The Winter's Tale shares with Shakespeare's other late tragi-comedies. |
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Page 275
... John , 91 , 106 , 178 , 215 , 220 , 248 Dorsch , T. S. , 198 Douglas , Mary , 45–6 , 116 , 201 , 228 Dowland , John , 183 Dryden , John , 222 Dunbar , Mary Judith , 6-7 , 186 , 234 Duncan - Jones , E. E. , 208 Dundas , Judith , 73 , 185 ...
... John , 91 , 106 , 178 , 215 , 220 , 248 Dorsch , T. S. , 198 Douglas , Mary , 45–6 , 116 , 201 , 228 Dowland , John , 183 Dryden , John , 222 Dunbar , Mary Judith , 6-7 , 186 , 234 Duncan - Jones , E. E. , 208 Dundas , Judith , 73 , 185 ...
Page 276
... John , 156 , 237-8 Gelli , Giambattista , 192 Gerarde , John , 128 , 136 , 139 , 228 , 230 , 231 , 232 , 233 Gesner , Carol , 239 Gesualdo , Carlo , 183 Gibson , J. J. , 188 Gill , Roma , 200-1 Gillis , John R. , 226 , 228 Gillyflowers ...
... John , 156 , 237-8 Gelli , Giambattista , 192 Gerarde , John , 128 , 136 , 139 , 228 , 230 , 231 , 232 , 233 Gesner , Carol , 239 Gesualdo , Carlo , 183 Gibson , J. J. , 188 Gill , Roma , 200-1 Gillis , John R. , 226 , 228 Gillyflowers ...
Page 282
... John , 205 Studing , Richard , 183 , 223 , 248 Summerson , John , 61 , 205 , 207 Symonds , Arthur , 213 Swannell , James , 201 Taming of the Shrew , 34 , 99–100 , 105 , 190 , 215 , 240 Tayler , Edward W. , 7 , 38 , 199 , 211 , 214 , 241 ...
... John , 205 Studing , Richard , 183 , 223 , 248 Summerson , John , 61 , 205 , 207 Symonds , Arthur , 213 Swannell , James , 201 Taming of the Shrew , 34 , 99–100 , 105 , 190 , 215 , 240 Tayler , Edward W. , 7 , 38 , 199 , 211 , 214 , 241 ...
Contents
Aesthetic codes and Renaissance concepts | 10 |
Shakespeares portrait of the individual | 31 |
metamorphic | 55 |
Copyright | |
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