Art and Illusion in The Winter's TaleManchester University Press, 1994 - 283 pages This work treats a single Shakespeare play from a number of perspectives. The author combines insights from contemporary psychology with art, social and stage histories to challenge the limits of current positivist critical theories. The book also has a central theme: how the dark side of art and illusion must be represented in order to establish the redemptive pattern which The Winter's Tale shares with Shakespeare's other late tragi-comedies. |
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Page 4
... Italy , and I be- lieve that Shakespeare was well aware of them . So I will reject a contrary , perhaps exasperatedly reductive , claim that ( unlike Ben Jonson ) Shakespeare entirely failed to grasp the idea of ' Art in the abstract ...
... Italy , and I be- lieve that Shakespeare was well aware of them . So I will reject a contrary , perhaps exasperatedly reductive , claim that ( unlike Ben Jonson ) Shakespeare entirely failed to grasp the idea of ' Art in the abstract ...
Page 61
... Italian styles certainly arose from the letters of Sir Henry Wotton and of Thomas Coke , who wrote from Italy in 1607/08 and 1609 about painting , sculpture and architecture . These informative 3 Detail from the tomb of Elizabeth Moore ...
... Italian styles certainly arose from the letters of Sir Henry Wotton and of Thomas Coke , who wrote from Italy in 1607/08 and 1609 about painting , sculpture and architecture . These informative 3 Detail from the tomb of Elizabeth Moore ...
Page 207
... Italy see Howarth , 1985 , pp . 18–22 . Coke's later reports on Italian art are discussed in Whalley , 1971 , pp . 190–1 ; this article also , pp . 184–5 , illustrates and discusses a letter of 1609 from William Cecil , later the second ...
... Italy see Howarth , 1985 , pp . 18–22 . Coke's later reports on Italian art are discussed in Whalley , 1971 , pp . 190–1 ; this article also , pp . 184–5 , illustrates and discusses a letter of 1609 from William Cecil , later the second ...
Contents
Aesthetic codes and Renaissance concepts | 10 |
Shakespeares portrait of the individual | 31 |
metamorphic | 55 |
Copyright | |
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