Art and Illusion in The Winter's TaleManchester University Press, 1994 - 283 pages This work treats a single Shakespeare play from a number of perspectives. The author combines insights from contemporary psychology with art, social and stage histories to challenge the limits of current positivist critical theories. The book also has a central theme: how the dark side of art and illusion must be represented in order to establish the redemptive pattern which The Winter's Tale shares with Shakespeare's other late tragi-comedies. |
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Page 58
... Globe theatre stood on the South Bank of the Thames near the masons ' yards that then busily supplied much of England with richly painted funeral effigies . Shakespeare surely knew of these jobbing ' London or " Southwark " sculptors ...
... Globe theatre stood on the South Bank of the Thames near the masons ' yards that then busily supplied much of England with richly painted funeral effigies . Shakespeare surely knew of these jobbing ' London or " Southwark " sculptors ...
Page 169
... Globe theatre . He put brief notations on this play , as of others , in a manuscript ( now accepted as genuine ) headed The Bocke of Plaies and Notes thereof per formans for Common Pollicie.11 Presumably for ' Pollicie's ' sake , Forman ...
... Globe theatre . He put brief notations on this play , as of others , in a manuscript ( now accepted as genuine ) headed The Bocke of Plaies and Notes thereof per formans for Common Pollicie.11 Presumably for ' Pollicie's ' sake , Forman ...
Page 170
... Globe production that he saw.15 16 17 A wide range of interpretations of Autolycus results I think from his importance in a complex and rich play . Readings of his role vary so widely , in fact , that they may serve as a paradigm for ...
... Globe production that he saw.15 16 17 A wide range of interpretations of Autolycus results I think from his importance in a complex and rich play . Readings of his role vary so widely , in fact , that they may serve as a paradigm for ...
Contents
Aesthetic codes and Renaissance concepts | 10 |
Shakespeares portrait of the individual | 31 |
metamorphic | 55 |
Copyright | |
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accept according actual appears Aretino argued artistic audience Autolycus bear become believe called Camillo chapter character claim colour complex concerning connection consider course court courtiers critics death described desire discussed effect emotional England English especially evidence expressed feelings figure Flora Florizel flowers Giulio Giulio Romano gives Gombrich hand Hermione Hermione's historical holds human idea imagination important instance interest interpretation Italian Italy John kind King knowledge late later Leontes less living marriage meaning mind nature offers original painted particular Paulina's Perdita perhaps play play's Polixenes possible present psychological question reading references relation Renaissance represented role says scene seems seen sexual Shake Shakespeare's shows similar social soliloquy sort specific statue stone studies suggest symbolic theatrical theory tion tradition visual Winter's Tale witchcraft witches writers