Art and Illusion in The Winter's TaleManchester University Press, 1994 - 283 pages This work treats a single Shakespeare play from a number of perspectives. The author combines insights from contemporary psychology with art, social and stage histories to challenge the limits of current positivist critical theories. The book also has a central theme: how the dark side of art and illusion must be represented in order to establish the redemptive pattern which The Winter's Tale shares with Shakespeare's other late tragi-comedies. |
From inside the book
Results 1-3 of 27
Page 171
... Autolycus in the structural pattern Among its other oddities , the role of Autolycus in The Winter's Tale is a kind of icon for the structurally irregular dramaturgy of the whole play . He has his first entry just slightly short of ...
... Autolycus in the structural pattern Among its other oddities , the role of Autolycus in The Winter's Tale is a kind of icon for the structurally irregular dramaturgy of the whole play . He has his first entry just slightly short of ...
Page 173
... Autolycus does not , but that , I think , is an assumption worth examining . 33 While it provides one of many self - flauntings in the strange drama- turgy of the play , there is also a presentation of a dramatised expe- rience when ...
... Autolycus does not , but that , I think , is an assumption worth examining . 33 While it provides one of many self - flauntings in the strange drama- turgy of the play , there is also a presentation of a dramatised expe- rience when ...
Page 180
... Autolycus ' importance . 55 57 Yet Autolycus does parody or inversely mirror many aspects of the play . I have mentioned his manner of choosing between loy- alties which perfectly inverts Camillo's claimed reason for leaving Bohemia.56 ...
... Autolycus ' importance . 55 57 Yet Autolycus does parody or inversely mirror many aspects of the play . I have mentioned his manner of choosing between loy- alties which perfectly inverts Camillo's claimed reason for leaving Bohemia.56 ...
Contents
Aesthetic codes and Renaissance concepts | 10 |
Shakespeares portrait of the individual | 31 |
metamorphic | 55 |
Copyright | |
4 other sections not shown
Other editions - View all
Common terms and phrases
accept according actual appears Aretino argued artistic audience Autolycus bear become believe called Camillo chapter character claim colour complex concerning connection consider course court courtiers critics death described desire discussed effect emotional England English especially evidence expressed feelings figure Flora Florizel flowers Giulio Giulio Romano gives Gombrich hand Hermione Hermione's historical holds human idea imagination important instance interest interpretation Italian Italy John kind King knowledge late later Leontes less living marriage meaning mind nature offers original painted particular Paulina's Perdita perhaps play play's Polixenes possible present psychological question reading references relation Renaissance represented role says scene seems seen sexual Shake Shakespeare's shows similar social soliloquy sort specific statue stone studies suggest symbolic theatrical theory tion tradition visual Winter's Tale witchcraft witches writers