Page The difficulty of educating a young nobleman · · ..5 The miseries of a beauty defaced .. - - - - 10 Idleness an anxious and miserable state . . 15 The folly of annual retreats into the country . : 20 The meanness and mischief of indiscriminate dedication The necessity of literary courage . . . . 30 Original characters to be found in the country. The cha- racter of Mrs. Busy - - - - • - 35 A critical examination of Samson Agonistes. · · 40 The danger of attempting wit in conversation. T ! An account of squire Båtstér The criterions of plagiarism . , . . . 64 The difficulty of raising reputation. The various species of detractors - - - "." . ,., , - 72 Petty writers not to be despised o 's So wu - 77 An account of an author travelling in quest of his own cha- racter. The uneertainty of fame . Benefits not always entitled to gratitude . . . 97 Adversity useful to the acquisition of knowledge The climacterics of the mind . Criticism on epistolary writings - . - - 113 The treatment incurred by loss of fortune . . 118 necessity of reviewing life . . . . - 129 Page The laws of writing not always indisputable. Reflections on tragi-comedy - - - - - - - 135 The scholar's complaint of his own bashfulness Rules of writing drawn from examples. Those examples often mistaken - - - - - - - 146 The nature and remedies of bashfulness . . . 151 Rules for the choice of associates . . . . 155 The revolutions of a garret . . . . . . 159 Old men in danger of falling into pupilage. The conduct of Thrasybulus . . . . . . . 165 The mischiefs of following a patron • - - - 170 Praise universally desired. The failings of eminent men often imitated - - - - - - - 176 The impotence of wealth. The visit of Serotinus to the Favours not easily gained by the poor . . . . 185 The marriage of Hymenæus and Tranquilla . . . 190 Poetry debased by mean expressions. An example from Shakespeare - - - - - - - - 195 Labour necessary to excellence . ' . .' 200 "The history of Misella debauched by her relation - - 205 Misella's description of the life of a prostitute - - 210 The effeet of sudden riches upon the manners . . 216 Unreasanible: fages of pealántry : 1:. grees of critical perspicacity . ... 235 An account of a club of antiquaries . . . . 240 Many advantages not to be enjoyed together . - 245 The awkward merriment of å student . . . . . 249 The study of life not to be neglected for the sake of books 254 The history of an adventurer in lotteries. . - 259 The history of Leviculus the fortune-hunter - - 264 The influence of envy and interest compared . . 269 The subject of essays often suggested by chance. Chance equally prevalent in other affairs - - - - 274 The prohibition of revenge justifiable by reason. The meanness of regulating our conduct by the opinions of men - - - - - - - - - 279 Anningait and Ajut, a Greenland history - - - 284 The history of Anningait and Ajut concluded . - 289 Favour often gained with little assistance from under standing . . . . . . . . . 294 The mischiefs of falsehood. The character of Turpicula 298 The history of Abouzaid, the son of Morad · - · 303 The busy life of a young lady . - . - . 308 Love unsuccessful without riches - - - - - 314 The author's art of praising himself . . . . 319 A young nobleman's progress in politeness - - - 324 A young nobleman's introduction to the knowledge of the town . . . . . . . - - 329 Human opinions mutable. The hopes of youth fallacious 334 The history of a legacy.hunter - - - - - 389 The legacy-hunter's history concluded - - - 344 The virtues of Rabbi Abraham's magnet . . . 350 Asper's complaint of the insolence of Prospero. Unpo. liteness not always the effect of pride . . - 356 The importance of punctuality - - - - • 361 The different acceptations of poverty. Cynics and monks not poor . . . . . . . . 366 The pleasures of life to be sought in prospects of futurity. Future fame uncertain - - - - - - 371 The history of ten days of Seged, emperor of Ethiopia 375 The history of Seged concluded . . . . . 380 The art of living at the cost of others - - 385 The folly of continuing too long upon the stage · · 390 The Rambler's reception. His design · · · · 395 |