The Works of Shakespeare ..., Volume 14Bobbs-Merrill Company, 1910 |
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Page x
... hand . The little hall - mark of antiquity , " come let's go , " I. ii . 54 Q , occurs again at V. iii . 19 Q. It ... hands with death in I. iv . 101-102 . York's reply to Margaret is a portion of Margaret's character , Shakespeare's ...
... hand . The little hall - mark of antiquity , " come let's go , " I. ii . 54 Q , occurs again at V. iii . 19 Q. It ... hands with death in I. iv . 101-102 . York's reply to Margaret is a portion of Margaret's character , Shakespeare's ...
Page xi
... hand . Line 97 is found in Greene's Alphonsus . It is not in Q. The transition verb " refrain " ( 110 ) recalls Peele . For the unmetrical confusion of Q , see an instance at 109-112 . A word of Peele's , also from Marlowe , is " base ...
... hand . Line 97 is found in Greene's Alphonsus . It is not in Q. The transition verb " refrain " ( 110 ) recalls Peele . For the unmetrical confusion of Q , see an instance at 109-112 . A word of Peele's , also from Marlowe , is " base ...
Page xii
... hand here in the early play I believe . See Peele parallels ( at 23 , 47 , 55 , 191 ) . Act II . Scene iv . In Q this bloody little scene has a few Marlowesque lines , which were deservedly expelled : they might have been anyone's ; but ...
... hand here in the early play I believe . See Peele parallels ( at 23 , 47 , 55 , 191 ) . Act II . Scene iv . In Q this bloody little scene has a few Marlowesque lines , which were deservedly expelled : they might have been anyone's ; but ...
Page xv
... hand . Shakespeare came to it with improved experience , correcting the faults , amending corrupted verse , and above all designedly devoting attention to Margaret . Although the scene has a narrative interest and considerable dramatic ...
... hand . Shakespeare came to it with improved experience , correcting the faults , amending corrupted verse , and above all designedly devoting attention to Margaret . Although the scene has a narrative interest and considerable dramatic ...
Page xvii
... . Characterisation is hardly attempted . Act v . Scene i . Follows Q very closely . Most of the striking expressions are common to both , and it is evident b Shakespeare had a free hand at the first scene of KING HENRY THE SIXTH xvii.
... . Characterisation is hardly attempted . Act v . Scene i . Follows Q very closely . Most of the striking expressions are common to both , and it is evident b Shakespeare had a free hand at the first scene of KING HENRY THE SIXTH xvii.
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battle blood brother Clar Clarence Clif Clifford Compare Contention crown death Dict doth Duke of York Dyce Earl Enter King erle Exeunt Omnes Exit Faerie Queene father fight Folio France friends Gentlemen of Verona Glou Gloucester Golding's Ovid Grafton Greene Greene's Grey Grosart Hall hand hast hath haue heart hence Henry VI Henry's house of York King Edward King Henry Kyd's Kyng Lady Bona Lancaster Locrine Lord Love's Labour's Lost Lucrece March Marlowe Marlowe's Montague oath occurs omitted Q Oxford pare passage Peele Peele's Plantagenet play Prince Quarto quoted Rich Richard Richard III scene Shake Shakespeare shalt slain soldiers Soliman and Perseda Somerset sonne Spanish Tragedy speak speare speech Spenser sweet sword Tamburlaine tears tell thee thine thou Titus Andronicus True Tragedy unto viii Warwick words ΙΟ