The Works of Shakespeare ..., Volume 14Bobbs-Merrill Company, 1910 |
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Page ix
... common to both plays . The changes are mostly in order to obtain metrical verse . Note " get thee gone " ( 258 ) , said to King Henry , which is placed for " therefore be still " ( Q ) . The latter occurs , to King KING HENRY THE SIXTH ix.
... common to both plays . The changes are mostly in order to obtain metrical verse . Note " get thee gone " ( 258 ) , said to King Henry , which is placed for " therefore be still " ( Q ) . The latter occurs , to King KING HENRY THE SIXTH ix.
Page xv
... common people swarm " ( 2 ) , as above ( II . vi . 8 ) . The addition made to Warwick's speech may be due to Peele . Sometimes Holinshed's example might have suggested the classical interpolations . Act IV . Scene iii . The Watchmen ...
... common people swarm " ( 2 ) , as above ( II . vi . 8 ) . The addition made to Warwick's speech may be due to Peele . Sometimes Holinshed's example might have suggested the classical interpolations . Act IV . Scene iii . The Watchmen ...
Page xvii
... Characterisation is hardly attempted . Act v . Scene i . Follows Q very closely . Most of the striking expressions are common to both , and it is evident b Shakespeare had a free hand at the first scene of KING HENRY THE SIXTH xvii.
... Characterisation is hardly attempted . Act v . Scene i . Follows Q very closely . Most of the striking expressions are common to both , and it is evident b Shakespeare had a free hand at the first scene of KING HENRY THE SIXTH xvii.
Page xix
... common vocable . Act v . Scene iv . Greatly developed and improved from Q , but on exactly the same lines of structure . Margaret's open- ing speech of eleven by no means bad lines , becomes a splendid utterance of thirty - eight lines ...
... common vocable . Act v . Scene iv . Greatly developed and improved from Q , but on exactly the same lines of structure . Margaret's open- ing speech of eleven by no means bad lines , becomes a splendid utterance of thirty - eight lines ...
Page xxi
... common people swarm like summer flies . III . iii . 124. his love was an eternall plant . v . i . 81. [ takes his red rose out of his hat . ( v . ii . 44. Which sounded like a clamour in a vault . V. iv . 75. You see , I drinke the ...
... common people swarm like summer flies . III . iii . 124. his love was an eternall plant . v . i . 81. [ takes his red rose out of his hat . ( v . ii . 44. Which sounded like a clamour in a vault . V. iv . 75. You see , I drinke the ...
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battle blood brother Clar Clarence Clif Clifford Compare Contention crown death Dict doth Duke of York Dyce Earl Enter King erle Exeunt Omnes Exit Faerie Queene father fight Folio France friends Gentlemen of Verona Glou Gloucester Golding's Ovid Grafton Greene Greene's Grey Grosart Hall hand hast hath haue heart hence Henry VI Henry's house of York King Edward King Henry Kyd's Kyng Lady Bona Lancaster Locrine Lord Love's Labour's Lost Lucrece March Marlowe Marlowe's Montague oath occurs omitted Q Oxford pare passage Peele Peele's Plantagenet play Prince Quarto quoted Rich Richard Richard III scene Shake Shakespeare shalt slain soldiers Soliman and Perseda Somerset sonne Spanish Tragedy speak speare speech Spenser sweet sword Tamburlaine tears tell thee thine thou Titus Andronicus True Tragedy unto viii Warwick words ΙΟ