The Sewanee Review, Volume 57

absolute aesthetic Allen Tate American artist attitude AUNT LIDA beauty becomes believe Bohemian character clown complex Cordelia Crane criticism death demonstration door Easter Edgar effect Eliot emotion Epic Theater essay experience Ezra Pound F. R. Leavis feeling fiction fool formulas Hardy Hart Crane Henry James Hull human idea imagination interest irony James Jinny Love kind language Lear Lennie literary literature living look meaning ment Milton mind MISS BLUEMEYER Miss Stein modern moral Myra nature never Nina novel novelists Paris Pater perhaps philosophical Pisan Cantos play poem poet poetic poetry Pound problem prose reader scene seems sense social society stairs STANLEY EDGAR HYMAN story symbol T. S. Eliot Tate Tate's tell things thought tion tradition truth turn W. B. Yeats WADE whole words writing Yeats Yeats's