Pindar, tr. by C.A. Wheelwright1830 |
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Page xii
... chariot race- Pyth . i . 466 Telesicrates - Pyth . ix . 464 Xenophon in the Course- -Ol . xiii . stadic 462 Arcesilaus - Pyth . iv . and v . 460 Alcimedon - Ol . viii . 454 Thrasydæus - Pyth . xi . 452 Psaumis - Ol . iv . and v . 74 83 ...
... chariot race- Pyth . i . 466 Telesicrates - Pyth . ix . 464 Xenophon in the Course- -Ol . xiii . stadic 462 Arcesilaus - Pyth . iv . and v . 460 Alcimedon - Ol . viii . 454 Thrasydæus - Pyth . xi . 452 Psaumis - Ol . iv . and v . 74 83 ...
Page 10
... chariot's flight . For me the Muse with vigorous art 180 Prepares her most puissant dart . 179 While men in various paths their efforts bend The steep of glory to ascend , Sublime above the rest on high Glitters the orb of majesty . No ...
... chariot's flight . For me the Muse with vigorous art 180 Prepares her most puissant dart . 179 While men in various paths their efforts bend The steep of glory to ascend , Sublime above the rest on high Glitters the orb of majesty . No ...
Page 11
... CHARIOT RACE , GAINED IN THE SEVENTY- SEVENTH OLYMPIAD . ARGUMENT . THE poet congratulates Theron , sprung from ancestors who had experienced much adversity , though sometimes at- tended with better fortune - Extols him for his skill in ...
... CHARIOT RACE , GAINED IN THE SEVENTY- SEVENTH OLYMPIAD . ARGUMENT . THE poet congratulates Theron , sprung from ancestors who had experienced much adversity , though sometimes at- tended with better fortune - Extols him for his skill in ...
Page 18
... CHARIOT RACE THE DATE IS NOT RE- CORDED . ARGUMENT . THIS ode was addressed to the king of Agrigentum , to whom the victory was announced as he was celebrating the The- oxenia ( a festival in honor of all the gods , instituted by the ...
... CHARIOT RACE THE DATE IS NOT RE- CORDED . ARGUMENT . THIS ode was addressed to the king of Agrigentum , to whom the victory was announced as he was celebrating the The- oxenia ( a festival in honor of all the gods , instituted by the ...
Page 23
... CHARIOT WITH FOUR HORSES , GAINED IN THE EIGHTY - SECOND OLYMPIAD . ARGUMENT . THIS ode opens with a sublime invocation to Jupiter , and a prayer for Psaumis - The poet then proceeds to the praise of the victor , on account of his ...
... CHARIOT WITH FOUR HORSES , GAINED IN THE EIGHTY - SECOND OLYMPIAD . ARGUMENT . THIS ode opens with a sublime invocation to Jupiter , and a prayer for Psaumis - The poet then proceeds to the praise of the victor , on account of his ...
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Common terms and phrases
Adrastus Ægina Agesidamus Alcides Amphiaraus Anacreon ancient Apollo Arcesilaus ARGUMENT Augeas bade bless'd blest brave brazen breast bright brow cæstus Callimachus celebrated chaplet chariot contests coursers crown crown'd dart daughter deeds Deinomenes digression divine Eacus earth equestrian Ergoteles Euphemus fair fame fate father favor festal fight flow fray gain gain'd glorious glory gods golden grace grove hand heaven Hercules hero Hiero honor hymn illustrious immortal Iolaus Ismenus Isthmian Jove Jove's Jupiter king lyre meed mighty mind mortal Muses ne'er Nemean Neoptolemus noble numbers nymph o'er offspring Olympia's OLYMPIC ODE Ovid passage Pausanias Peleus Pelops Pindar Pisa's plain poet poet's poetical pomp praise pride Pytheas PYTHIAN ODE race raise renown sacred Saturnian sceptre scholiast shine sing sire song soul steeds strain strife sway sweet tale Theban Thebes thee thine thou Thrasybulus Tlepolemus tongue triumphant triumphs Twas urged valiant verdant victory wreath Xenocrates youth
Popular passages
Page 23 - See! how she leans her cheek upon her hand: O! that I were a glove upon that hand, That I might touch that cheek.
Page 35 - Besides, this Duncan Hath borne his faculties so meek, hath been So clear in his great office, that his virtues Will plead like angels, trumpet-tongued, against The deep damnation of his taking-off...
Page xii - Whether th' immortal Gods he sings, In a no less immortal strain, Or the great acts of God-descended kings, Who in his numbers still survive and reign, Each rich embroidered line, Which their triumphant brows around, By his sacred hand is bound, Does all their starry diadems outshine.
Page 45 - Oh, Love! what is it in this world of ours Which makes it fatal to be loved? Ah why With cypress branches hast thou wreathed thy bowers, And made thy best interpreter a sigh? As those who dote on odours pluck the flowers, And place them on their breast — but place to die — Thus the frail beings we would fondly cherish Are laid within our bosoms but to perish.
Page 48 - Here sacred pomp and genial feast delight, And solemn dance, and hymeneal rite ; Along the street the new-made brides are led, With torches flaming, to the nuptial bed : The youthful dancers in a circle bound To the soft flute, and cithern's silver sound : Through the fair streets the matrons in a row Stand in their porches, and enjoy the show.
Page 51 - And pales of glittering tin th' enclosure grace. To this, one pathway gently winding leads, Where march a train with baskets on their heads, (Fair maids and blooming youths) that smiling bear The purple product of th
Page 2 - Oh! too convincing - dangerously dear In woman's eye the unanswerable tear That weapon of her weakness she can wield, To save, subdue at once her spear and shield: Avoid it - Virtue ebbs and Wisdom errs, Too fondly gazing on that grief of hers! What lost a world, and bade a hero fly? The timid tear in Cleopatra's eye.
Page 20 - The Pleiads, Hyads, with the northern team; And great Orion's more refulgent beam; To which, around the axle of the sky, The Bear, revolving, points his golden eye, Still shines exalted on the ethereal plain, Nor bathes his blazing forehead in the main.
Page 30 - Go, the rich chariot instantly prepare ; The Queen, my Muse, will take the air ; Unruly Fancy with strong Judgment trace, Put in nimble-footed Wit, Smooth-pac'd Eloquence join with it, Sound Memory with young Invention place, Harness all the winged race.
Page 24 - Soft is the strain when Zephyr gently blows, And the smooth stream in smoother numbers flows ; But when loud surges lash the sounding shore, The hoarse, rough verse should like the torrent roar: When Ajax strives some rock's vast weight to throw, The line too labours, and the words move slow : Not so, when swift Camilla scours the plain, Flies o'er th' unbending corn, and skims along the main.