of their fortunes, and as to which all we wanted was, to see the man himself.-COLERIDGE, Lectures. THE DRAMATIC ELEMENTS Let us admire the marvellous blending of the three dramatic elements; we may almost call them the tragedy of Hero, the comedy of Beatrice, and the farce of Dogberry; with what art are these three contrasted and combined.LUCE, Handbook to Shakespeare's Works. MUCH ADO ABOUT NOTHING ACT FIRST SCENE I Before Leonato's house. Enter Leonato, Hero, and Beatrice, with Leon. I learn in this letter that Don Pedro of Mess. He is very near by this: he was not three Leon. How many gentlemen have you lost in Mess. But few of any sort, and none of name. brings home full numbers. I find here that Mess. Much deserved on his part, and equally remembered by Don Pedro: he hath borne himself beyond the promise of his age; doing, in the figure of a lamb, the feats of a lion: he hath indeed better bettered expecta 16. "better bettered"; more surpassed.-C. H. H. tion than you must expect of me to tell you Leon. He hath an uncle here in Messina will be Mess. I have already delivered him letters, and there appears much joy in him; even so much, that joy could not show itself modest enough without a badge of bitterness. Leon. Did he break out into tears? Mess. In great measure. Leon. A kind overflow of kindness: there are Mess. I know none of that name, lady: there Leon. What is he that you ask for, niece? Mess. O, he's returned; and as pleasant as ever 20 30 Beat. He set up his bills here in Messina and 40 he killed and eaten in these wars? But how 42. "subscribed"; signed.-C. H. H. |