The Works of William Shakespeare: The Plays Ed. from the Folio of MDCXXIII, with Various Readings from All the Editions and All the Commentators, Notes, Introductory Remarks, a Historical Sketch of the Text, an Account of the Rise and Progress of the English Drama, a Memoir of the Poet, and an Essay Upon the Genius, Volume 3Little, Brown, 1863 |
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Page 1
... Notes, Introductory Remarks, a Historical Sketch of the Text, an Account of the Rise and Progress of the English Drama, a Memoir of the Poet, an William Shakespeare Richard Grant White. WILLIAM SHAKESPEARE THE PLAYS EDITED FROM THE FOLIO ...
... Notes, Introductory Remarks, a Historical Sketch of the Text, an Account of the Rise and Progress of the English Drama, a Memoir of the Poet, an William Shakespeare Richard Grant White. WILLIAM SHAKESPEARE THE PLAYS EDITED FROM THE FOLIO ...
Page 11
... Notes, Introductory Remarks, a Historical Sketch of the Text, an Account of the Rise and Progress of the English Drama ... note how my fortune stands : That Promos love , the like is oft in use ; And sith he crave this kindnesse at your ...
... Notes, Introductory Remarks, a Historical Sketch of the Text, an Account of the Rise and Progress of the English Drama ... note how my fortune stands : That Promos love , the like is oft in use ; And sith he crave this kindnesse at your ...
Page 32
... Notes, Introductory Remarks, a Historical Sketch of the Text, an Account of the Rise and Progress of the English Drama, a Memoir of the Poet, an William Shakespeare Richard Grant White. Clo . Sir , your honour cannot come to that yet ...
... Notes, Introductory Remarks, a Historical Sketch of the Text, an Account of the Rise and Progress of the English Drama, a Memoir of the Poet, an William Shakespeare Richard Grant White. Clo . Sir , your honour cannot come to that yet ...
Page 40
... Notes, Introductory Remarks, a Historical Sketch of the Text, an Account of the Rise and Progress of the English Drama ... note of what is done , and , like a prophet , Looks in a glass , that shows what future evils ( Either now , or by ...
... Notes, Introductory Remarks, a Historical Sketch of the Text, an Account of the Rise and Progress of the English Drama ... note of what is done , and , like a prophet , Looks in a glass , that shows what future evils ( Either now , or by ...
Page 71
... Notes, Introductory Remarks, a Historical Sketch of the Text, an Account of the Rise and Progress of the English ... note upon't : With whispering and most guilty diligence , In action all of precept , he did show me The way twice o ...
... Notes, Introductory Remarks, a Historical Sketch of the Text, an Account of the Rise and Progress of the English ... note upon't : With whispering and most guilty diligence , In action all of precept , he did show me The way twice o ...
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Common terms and phrases
Antipholus Armado Bawd Beat Beatrice Benedick Birone Bora Borachio Boyet brother Claud Claudio Collier's folio Comedy Comedy of Errors Cost Costard death Dogb Don PEDRO dost thou doth Dromio Duke Dyce Enter Ephesus error Escal Exeunt Exit fair Folio and quarto fool Friar Gentlemen of Verona give Grace hast hath hear heart Heaven Hero hither hitherto honour husband Isab John King lady Leon Leonato look Lord Angelo LOVE'S LABOUR'S LOST Lucio maid Marry Master Master Constable mean Measure for Measure merry misprint mistress Moth never original pardon placket play Pompey pray Prince Prov Provost rhyme Rosaline SCENE second folio sense Shakespeare's day shame Signior speak speech Steevens sweet tell thee Theobald there's thou art to-morrow tongue villain wench wife word
Popular passages
Page 70 - Take, oh take those lips away, That so sweetly were forsworn; And those eyes, the break of day, Lights that do mislead the morn; But my kisses bring again, bring again, Seals of love, but seal'd in vain. seal'd in vain.
Page 56 - Ay, but to die, and go we know not where ; To lie in cold obstruction, and to rot ; This sensible warm motion to become A kneaded clod ; and the delighted spirit To bathe in fiery floods, or to reside In thrilling region of thick-ribbed ice ; To be imprison'd in the viewless winds, And blown with restless violence round about The pendent world ; or to be worse than worst Of those that lawless and inccrtain thoughts Imagine howling ! — 'tis too horrible.
Page 441 - To move wild laughter in the throat of death ? It cannot be ; it is impossible : Mirth cannot move a soul in agony. Ros. Why, that's the way to choke a gibing spirit, Whose influence is begot of that loose grace, Which shallow laughing hearers give to fools. A jest's prosperity lies in the ear Of him that hears it, never in the tongue Of him that makes it...
Page 290 - Of every hearer; for it so falls out, That what we have we prize not to the worth, Whiles we enjoy it, but being lack'd and lost, Why, then we rack the value ; then we find The virtue, that possession would not show us, Whiles it was ours.
Page 28 - WE must not make a scare-crow of the law, Setting it up to fear the birds of prey, And let it keep one shape, till custom make it Their perch, and not their terror.
Page 367 - Birone they call him ; but a merrier man, Within the limit of becoming mirth, I never spent an hour's talk withal. His eye begets occasion for his wit ; For every object that the one doth catch, The other turns to a mirth-moving jest...
Page 14 - That to th' observer doth thy history Fully unfold. Thyself and thy belongings Are not thine own so proper as to waste Thyself upon thy virtues, they on thee. Heaven doth with us as we with torches do, Not light them for themselves; for if our virtues Did not go forth of us, 'twere all alike As if we had them not.
Page 258 - Sigh, no more, ladies, sigh no more, Men were deceivers ever ; One foot in sea, and one on shore ; To one thing constant never : Then sigh not so, But let them go, And be you blithe and bonny ; Converting all your sounds of woe Into Hey nonny, nonny.
Page 41 - Could great men thunder As Jove himself does, Jove would ne'er be quiet; For every pelting, petty officer Would use his heaven for thunder ; Nothing but thunder.
Page 104 - Isabel, Sweet Isabel, do yet but kneel by me ; Hold up your hands, say nothing, I'll speak all. They say, best men are moulded out of faults ; And, for the most, become much more the better For being a little bad : so may my husband.