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strong muscle in the thumb, and by this improved use of the sense of touch, they acquired clear ideas, and gradually became men. On this enncoling account of the origin of the human species our author makes the following wise remark. "Perhaps all the productions of nature are in their progress ❝to greater perfection." In an additional note on the formation of a new sex he insinuates, that the Mosaic history of paradise and Adam and Eve may be a sacred allegory, which originated with the philosophers of Egypt, with whom Moses was educated; and that this part of the history, where Eve is said to have been made from the rib of Adam, was intended to show, that mankind was originally of both sexes united, but afterward divided into males and females. This opinion, the Doctor thinks, must have arisen from profound inquiries into the original state of animal existence. There is much simplicity and familiar description in the following lines on poetic melancholy.

cant. 2. l. 185.

"With pausing step, at night's refulgent noon,
"Beneath the sparkling stars and lucid moon,
"Plung'd in the shade of some religious tower,
"The slow bell counting the departed hour,
"J'er gaping tombs where shed umbrageous yews
"On mouldering bones their cold, unwholesome dews;
"While low aerial voices whisper round,

"And moon drawn spectres dance upon the ground;
"Poetic melancholy loves to tread,

"And bend in silence o'er the countless dead;
"Marks with loud sobs infantine sorrows rave,

"And wring their pale hands o'er their mother's grave;
"Hears on the new turn'd sod, with gestures wild,
"The kneeling beauty call her buried child ;
"Upbraid with timorous accents heaven's decrees,
“And with sad sighs augment the passing breeze.”

In justice to our author we must allow him to possess some consistency in admitting consequences, however absurd and unphilosophical. The following extract contains a bold position of atheistical tendency.

"Urania paus'd, upturn'd her streaming eyes,
"And her white bosom heaved with silent sighs;
"With her the muse laments the sum of things,
"And hides her sorrows with her meeting wings;
"Long o'er the wrecks of lovely life they weep,
“Then pleased reflect, to die is but to sleep ;'
"From nature's coffins to her cradles turn,
"Smile with young joy, with new affection burn."

cant. 2. L. 205.

The following account of a cock fight is dressed in language, sufficiently elevated to describe a battle of the gods.

"Here cocks heroic burn with rival rage,
"And quails with quails in doubtful fight engage;
"Of armed heels and bristling plumage proud,
"They sound the insulting clarion shrill and loud,
"With rustling pinions meet, and swelling chests,
"And seize with closing beaks their bleeding crests;
"Rise on quick wing above the struggling foe,
"And aim in air the death devoting blow."

cant. 2.1. 313.

In page 62 the Doctor describes a carriage, in which his loves and cupids would undoubtedly find good accommoda

tion.

cant. 2.1.397,

"The silver wheels with snowdrops deck'd,
"And primrose bands the cedar spokes connect;
"Round the fine pole the twisting woodbine clings,
"And knots of jasmine clasp the bending springs;

66

Bright daisy links the velvet harness chain,

"And rings of violets join each silken rein;
"Festoon'd behind, the snow white lilies bend,
"And tulip tassels on each side depend."

The third canto is entitled the "PROGRESS OF THE MIND." Our author has in this canto drawn a very outrè portrait of man. He bewails his want of those powers, which the brutes possess, though he allows him superiority in the possession of a hand.

« Proud man alone in wailing weakness born,
"No horns protect him, and no plumes adorn;
"No finer powers of nostril, ear, or eye,
"Teach the young reasoner to pursue or fly.
"Nerved with fine touch above the bestial throngs,
"The hand, first gift of heaven, to man belongs;

"Untipt with claws the circling fingers close,
"With rival points the bending thumbs oppose,

"Trace the nice lines of form with sense refined,
"And clear ideas charm the thinking mind"

cant. 3.1.117.

Doctor Darwin's theory of the moral virtues is thus ex

pressed in rhyme.

"Hence, when the inquiring hands with contact fine, cant. 3.1. 279. "Trace on hard forms the circumscribing line,

"Which then the language of the rolling eyes

"From distant scenes of earth and heaven supplies;

"Those clear ideas of the touch and sight

"Rouse the quick sense to anguish or delight;
"Whence the fine power of imitation springs,
"And apes the outlines of external things;
"With ceaseless action to the world imparts
« All moral virtues, languages, and arts."

66

"Last, as observant imitation stands,
"Turns her quick glance, and brandishes her hands,
"With mimic acts associate thoughts excites,
"And storms the soul with sorrows or delights;
"Life's shadowy scenes are brighten'd and refin'd,
"And soft emotions mark the feeling mind.

"The seraph, sympathy, from heaven descends,
"And bright o'er earth his beamy forehead bends;
"On man's cold heart celestial ardor flings,

"And showers affection from his sparkling wings."

cant. 3.1. 461,

In a note upon the above our author has attempted to elucidate his theory. He says, that sympathy arises from our aptitude to imitation; and that" the effect of this powerful agent in the moral world is the foundation of all our intel"lectual sympathies with the pains and pleasures of others, "and is, in consequence, the source of all our virtues. For "in what consists our sympathy with the miseries, or with "the joys of our fellow creatures, but in an involuntary ex"citation of ideas, in some measure similar, or imitative of

those, which we believe to exist in the minds of the per66 sons, whom we commiserate, or congratulate." From this it appears, that sympathy is the foundation of all our moral virtues; and sympathy is an involuntary excitation of ideas. What then is virtue? Where is its praise or blame? If an aptitude to imitation be the remote cause of all moral virtue, our divines may as well lecture parrots, as men. To the fourth canto our author has prefixed 66 OF GOOD AND EVIL."

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Great men sometimes slip from their elevated station, as appears by the following couplet.

"The brow of man erect, with thought elate,
"Ducks to the mandate of resistless fate."

Gant. 4.1.67

The reader will hardly be able to pass the above lines without representing to himself the awkward figure of a large man, six feet high, dodging the beam of fate, as it passes over his head.

The following lines on the protection of science and the freedom of the press are just and highly animated.

"Ye patriot heroes, in the glorious cause
"Of justice, mercy, liberty, and laws,
"Who call to virtue's shrine the British youth,
« And shake the senate with the voice of truth;

cant. 4. l. 273.

Rouse the dull ear, the hoodwink'd eye unbind,
"And give to energy the public mind;

While rival realms with blood unsated wage
"Wide wasting war with fell demoniac rage;
"In every clime, while army army meets,
"And oceans groan beneath contending fleets;
"Oh save, oh save, in this eventful hour,
"The tree of knowledge from the axe of power;
"With fostering peace the suffering nations bless,
"And guard the freedom of the immortal press;
"So shall your deathless fame from age to age
«Survive, recorded in the historic page;

"And future bards, with voice inspired, prolong
"Your sacred names immortalized in song."

The Doctor seems to have been much pleased with the sentiments, contained in the subsequent extract; and wishes some ingenious writer would undertake to calculate the sum total of organic happiness.

"Thus the tall mountains, that emboss the lands,

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cant. 4.1.447

In a note on the continuance and increase of organic life and happiness by reproduction our author says, " all the suns "and the planets, which circle round them may again "sink into one central chaos; and may again, by explosion, "produce new worlds, which, in process of time, may re"semble the present one, and at length again undergo the "same catastrophe."

Thus have we presented our readers with various specimens, by which the general character of the work may be known. Having intermixed our observations with the extracts, further remark is unnecessary.

"AN UNDEVOUT ASTRONOMER IS MAD.”

THE seal of Deity is stampt on all,
And at creation's limits only cease

The clear expressions of the Great, First Cause.
Matchless design completed marks his works.
In the minute he acts still undisguised;
Perfection witnesses the hand divine,

And calls on man to acknowledge and adore.
But, when through nature's vast expanse we look,
Where worlds as numerous, as ocean's drops,
And larger, than the globe, on which we dwell,
Through distance scarcely twinkle to each other;
Then all the vast perfections of their Maker,
With beams reciprocal increasing still,
In full robed lustre blaze upon the sight.
Immensity the theatre, a less

Had been too small, Omnipotence displays
Its native majesty; directs the comet
To run its round of centuries, and view
Creation's utmost skirts, while thence, if seen,
Planets, revolving in their stated course,
Seem scarcely wandering from their central suns.
Wisdom and goodness infinite combine
The glorious plan to perfect, and preserve
Order and harmony throughout the whole.
Hence suns, to regulate revolving worlds,
And, peopled, to illume themselves, stand fixed,
Supported by the all supporting arm.
Hence systems meet with mutual dependence,
And run into each other; while through all,
Joined with the music of the angelic choir,
One song of praise, with no discordant note,
Ascends continual to the throne of God,
The cause, support, and sovereign Lord of all,
Amid this vast display of power divine,
Pouring in tides upon the dazzled eye,

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