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according action admiration allowed already altogether ancients appears attempt beautiful become called carried character circumstances Comedy comic composition considered Corneille critics death display drama dramatic effect endeavour English equally Euripides example exhibited expression feeling followed foreign French frequently give Greek Greek tragedies hand human idea imagination imitation impression influence invention Italy language latter least less light living manner means measure merely mind moral nature never object observed once opinion original passion perfection perhaps persons picture pieces Plautus play poet poetical poetry possess present principles produce remains representation represented respect Roman rules scene seems sense Shakspeare situation Spanish speak species spectators spirit stage taste theatre theatrical thing tion tone tragedy tragic true truth Unity verse whole wished writers
Page 398 - Say, there be ; Yet nature is made better by no mean, But nature makes that mean ; so, o'er that art Which, you say, adds to nature, is an art That nature makes.
Page 410 - Tis two or three, my lord, that bring you word, Macduff is fled to England. Macb. Fled to England ? Len. Ay, my good lord. Macb. Time, thou anticipat'st my dread exploits : The flighty purpose never is o'ertook, Unless the deed go with it : from this moment, The very firstlings of my heart shall be The firstlings of my hand.
Page 372 - This fellow is wise enough to play the fool; And to do that well craves a kind of wit. 60 He must observe their mood on whom he jests, The quality of persons, and the time, And, like the haggard, check at every feather That comes before his eye. This is a practice As full of labour as a wise man's art.
Page 16 - I were to pray for a taste which should stand me in stead under every variety of circumstances, and be a source of happiness and cheerfulness to me through life, and a shield against its ills, however things might go amiss and the world frown upon me, it would be a taste for reading.
Page 342 - The ancient art and poetry rigorously separate things which are dissimilar; the romantic delights in indissoluble mixtures; all contrarieties: nature and art, poetry and prose, seriousness and mirth, recollection and anticipation, spirituality and sensuality, terrestrial and celestial, life and death, are by it blended together in the most intimate combination.
Page 400 - ... declaration of love and modest return to the most unlimited passion, to an irrevocable union; then, amidst alternating storms of rapture and despair, to...
Page 365 - ... tame insipidity. Hence, an idea has been formed of simple and natural pathos, which consists in exclamations destitute of imagery, and nowise elevated above every-day life. But energetical passions electrify the whole of the mental powers, and will, consequently, in highly favoured natures, express themselves in an ingenious and figurative manner.
Page 16 - You place him in contact with the best society in every period of history, — with the wisest, the wittiest, the tenderest, the bravest, and the purest characters who have adorned humanity. You make him a denizen of all nations, a contemporary of all ages. The world has been created for him.