Euripides and Alcestis: Speculations, Simulations, and Stories of Love in the Athenian CultureUniversity Press of America, 1998 - 113 pages Euripides and Alcestis demonstrates the inherent presence of indeterminacy in Euripides' play, Alcestis. The author uses about eighty of the scholarly attempts to establish a determinate meaning of the play to exhibit the difficulty and lack of success in previous attempts at interpretation. She recognizes that the meaning of the play is surrounded by ambiguity and indeterminacy and provides an interpretation based on this knowledge. As an interpretation, the author focuses on Admetus' desire in relation to Alcestis' statue and his nature as a fifth century Athenian man while exposing Alcestis as a nonidentity. She also analyzes the issues of representation and spectatorship, showing that the theatrical performance is constructed in order to function as vehicles for the satisfaction of a dominant position-that of Admetus and the spectator of the performance. |
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Page 5
... puts the " real truth " before the infatuated Admetus 10 : his faithful wife dies out of unselfish heroism to save him from death and her children from fatherlessness.11 Alcestis is not a tragedy for G. Murray ( 1915 ) , either ; it is ...
... puts the " real truth " before the infatuated Admetus 10 : his faithful wife dies out of unselfish heroism to save him from death and her children from fatherlessness.11 Alcestis is not a tragedy for G. Murray ( 1915 ) , either ; it is ...
Page 71
... puts his pieces back together . Dionysus is disguised as a girl , and the Nymphs keep him in a cave on Mount Nysa where they take care of him . It is on Mount Nysa that he invents wine , the cult of which later spreads all over Europe ...
... puts his pieces back together . Dionysus is disguised as a girl , and the Nymphs keep him in a cave on Mount Nysa where they take care of him . It is on Mount Nysa that he invents wine , the cult of which later spreads all over Europe ...
Page 73
... puts on women's clothing -- as the actor puts on the mask of the female character -- is another important reference to the power of theatre to generate illusion . The relationships between actor , spectacle , and spectator are also ...
... puts on women's clothing -- as the actor puts on the mask of the female character -- is another important reference to the power of theatre to generate illusion . The relationships between actor , spectacle , and spectator are also ...
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absence accepts According action actor Admetus Aeschylus Alcestis analysis Ancient Apollo appears ariste Aristotle Athenian Bacchae becomes believes brings called Cambridge Century characters Charles Segal Chorus Classical Collected Criticism dead death describe desire deus Dionysus Drama Duke University elements Essays Euripidean Euripides fact father female Feminine figure final finds function gives Gorgias Greek Tragedy hand Heracles hospitality human husband identity illusion imitation important interpretation keep language live London look male marriage mask meaning mirror Mortals Myth nature object offered origin Oxford Paris person Plato play pleasure Poetics present Princeton promise reality refers reflection relationship representation returns rhetorical role sacrifice scene spectators speech stage statue story Stranger structural Studies substitute suggests theatre thing tragic trans translated truth University Press values veil Vernant wife woman women York young Zeitlin