Euripides and Alcestis: Speculations, Simulations, and Stories of Love in the Athenian CultureUniversity Press of America, 1998 - 113 pages Euripides and Alcestis demonstrates the inherent presence of indeterminacy in Euripides' play, Alcestis. The author uses about eighty of the scholarly attempts to establish a determinate meaning of the play to exhibit the difficulty and lack of success in previous attempts at interpretation. She recognizes that the meaning of the play is surrounded by ambiguity and indeterminacy and provides an interpretation based on this knowledge. As an interpretation, the author focuses on Admetus' desire in relation to Alcestis' statue and his nature as a fifth century Athenian man while exposing Alcestis as a nonidentity. She also analyzes the issues of representation and spectatorship, showing that the theatrical performance is constructed in order to function as vehicles for the satisfaction of a dominant position-that of Admetus and the spectator of the performance. |
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Page 41
... marriage is the element of exchange . According to Flacelière , marriage is an exchange with the guarantee of the dowry between the father of the bride and the groom.67 The young girl passes from the care of the father or brother to the ...
... marriage is the element of exchange . According to Flacelière , marriage is an exchange with the guarantee of the dowry between the father of the bride and the groom.67 The young girl passes from the care of the father or brother to the ...
Page 53
... marriage , is often depicted in art with a sad face.138 Seaford examines the symbolic role of the underground cell / tomb as a bridal chamber in Antigone , and he states : " Normally a girl is married , and the irreversible ...
... marriage , is often depicted in art with a sad face.138 Seaford examines the symbolic role of the underground cell / tomb as a bridal chamber in Antigone , and he states : " Normally a girl is married , and the irreversible ...
Page 54
... marriage , and Alcestis is alive again and a new promise of marriage is initiated . Moreover , the representation on tomb monuments of the dead woman as a bride enhances the parallels between marriage and sacrificial death imagery , 146 ...
... marriage , and Alcestis is alive again and a new promise of marriage is initiated . Moreover , the representation on tomb monuments of the dead woman as a bride enhances the parallels between marriage and sacrificial death imagery , 146 ...
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absence accepts According action actor Admetus Aeschylus Alcestis analysis Ancient Apollo appears ariste Aristotle Athenian Bacchae becomes believes brings called Cambridge Century characters Charles Segal Chorus Classical Collected Criticism dead death describe desire deus Dionysus Drama Duke University elements Essays Euripidean Euripides fact father female Feminine figure final finds function gives Gorgias Greek Tragedy hand Heracles hospitality human husband identity illusion imitation important interpretation keep language live London look male marriage mask meaning mirror Mortals Myth nature object offered origin Oxford Paris person Plato play pleasure Poetics present Princeton promise reality refers reflection relationship representation returns rhetorical role sacrifice scene spectators speech stage statue story Stranger structural Studies substitute suggests theatre thing tragic trans translated truth University Press values veil Vernant wife woman women York young Zeitlin