Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 61Gale Research Company, 1984 |
From inside the book
Results 1-3 of 89
Page 105
... turn me into nothing " ( III.i.114 ) . Wolsey's base origins prompt him to try to reduce any potential op- ponent to even more abject depths , with the paradoxical result that his victims , and eventually he himself , stripped of ...
... turn me into nothing " ( III.i.114 ) . Wolsey's base origins prompt him to try to reduce any potential op- ponent to even more abject depths , with the paradoxical result that his victims , and eventually he himself , stripped of ...
Page 127
... turn to marry elsewhere , in Henry VIII it is not . Henry's daughter Mary is little better than a cipher . Never staged , she is totally effaced by Henry in the last moments of the play when he says of Elizabeth , " never , before ...
... turn to marry elsewhere , in Henry VIII it is not . Henry's daughter Mary is little better than a cipher . Never staged , she is totally effaced by Henry in the last moments of the play when he says of Elizabeth , " never , before ...
Page 369
... turn to Miranda is not unlike Adam's desire for a mate . Having named " every living creature " -having brought into discourse the fullness of Creation - Adam nonetheless finds himself alone , the very copia of other creatures point ...
... turn to Miranda is not unlike Adam's desire for a mate . Having named " every living creature " -having brought into discourse the fullness of Creation - Adam nonetheless finds himself alone , the very copia of other creatures point ...
Contents
Masculine Identity and Feminine Power | 119 |
Religion History and Politics | 136 |
Further Reading | 158 |
Copyright | |
8 other sections not shown
Other editions - View all
Common terms and phrases
action alchemy Anne Antonio argues Ariel audience Belarius Britain Caliban Cambridge character Chronicles claim Cloten comedy conscience Cordelia court Cranmer creature critics Cymbeline Cymbeline's daughter death dramatic Edgar Edmund Elizabeth emblem England English essay father Fool Gloucester Goneril Goneril and Regan Guiderius Henry VIII Henry's Holinshed human Iachimo ideal Il pastor fido Imogen interpretation Jacobean James John Katherine Katherine's Kent King Lear king's kingdom Lear's London Lord love test magic marriage masque meaning ment Miranda moral narrative nature Orpheus patrilineal play play's plot political Posthumus Prince Prospero Queen reading Renaissance response role romance scene seems sense sexual Shake Shakespeare social speak speare speare's speech spirit stage Stephen Orgel suggests symbolic Tempest theater theatrical thee thou tion tragedy tragicomedy trial true truth Univ University Press virtue vision William Shakespeare Winter's Tale Wolsey Wolsey's words York