Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 61Gale Research Company, 1984 |
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Page 203
... role , she can express her own position only in terms of her bond , that is , in terms of role relations as opposed to personal relations . Our sense of how embarrassing a genuine expression of affection would have sounded in this ...
... role , she can express her own position only in terms of her bond , that is , in terms of role relations as opposed to personal relations . Our sense of how embarrassing a genuine expression of affection would have sounded in this ...
Page 207
... role and Kent's dynamic inter- locutive behavior offer a glimpse of the intrinsically creative emergent nature of Shakespeare's production of dialogue as it leads him to move his narrative chess pieces in directions not contemplated by ...
... role and Kent's dynamic inter- locutive behavior offer a glimpse of the intrinsically creative emergent nature of Shakespeare's production of dialogue as it leads him to move his narrative chess pieces in directions not contemplated by ...
Page 214
... role between elite and popular culture often played by such women " ( Drama , 337 ) . 98. On this aspect of Kent's role , see Kenneth J. E. Graham , " Without the form of justice ' : Plainness and the Performance of Love in King Lear ...
... role between elite and popular culture often played by such women " ( Drama , 337 ) . 98. On this aspect of Kent's role , see Kenneth J. E. Graham , " Without the form of justice ' : Plainness and the Performance of Love in King Lear ...
Contents
Masculine Identity and Feminine Power | 119 |
Religion History and Politics | 136 |
Further Reading | 158 |
Copyright | |
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action alchemy Anne Antonio argues Ariel audience Belarius Britain Caliban Cambridge character Chronicles claim Cloten comedy conscience Cordelia court Cranmer creature critics Cymbeline Cymbeline's daughter death dramatic Edgar Edmund Elizabeth emblem England English essay father Fool Gloucester Goneril Goneril and Regan Guiderius Henry VIII Henry's Holinshed human Iachimo ideal Il pastor fido Imogen interpretation Jacobean James John Katherine Katherine's Kent King Lear king's kingdom Lear's London Lord love test magic marriage masque meaning ment Miranda moral narrative nature Orpheus patrilineal play play's plot political Posthumus Prince Prospero Queen reading Renaissance response role romance scene seems sense sexual Shake Shakespeare social speak speare speare's speech spirit stage Stephen Orgel suggests symbolic Tempest theater theatrical thee thou tion tragedy tragicomedy trial true truth Univ University Press virtue vision William Shakespeare Winter's Tale Wolsey Wolsey's words York