Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 61Gale Research Company, 1984 |
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Page 73
... later on . 5. As in earlier chapters , I cite the play from the First Folio ( 1623 ) and indicate " through line numbers " ( TLN ) to that edition in my text . 6. Willobie His Avisa uses a somewhat similar tech- nique , offering an ...
... later on . 5. As in earlier chapters , I cite the play from the First Folio ( 1623 ) and indicate " through line numbers " ( TLN ) to that edition in my text . 6. Willobie His Avisa uses a somewhat similar tech- nique , offering an ...
Page 143
... later . Robert Ornstein , a fierce detrac- tor of the play , points out another parallel when he argues that Fletcher , who he believes wrote most of the play , " found the inspiration for Cranmer's vision in the prayer by Richmond that ...
... later . Robert Ornstein , a fierce detrac- tor of the play , points out another parallel when he argues that Fletcher , who he believes wrote most of the play , " found the inspiration for Cranmer's vision in the prayer by Richmond that ...
Page 151
... later trial , Wolsey is shown working hand in glove with the King . Pandering to Henry's " conscience , " he has supported the divorce and procured Campeius to aid it . Henry then calls on " my Wolsey " to see the business " furnished ...
... later trial , Wolsey is shown working hand in glove with the King . Pandering to Henry's " conscience , " he has supported the divorce and procured Campeius to aid it . Henry then calls on " my Wolsey " to see the business " furnished ...
Contents
Masculine Identity and Feminine Power | 119 |
Religion History and Politics | 136 |
Further Reading | 158 |
Copyright | |
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action alchemy Anne Antonio argues Ariel audience Belarius Britain Caliban Cambridge character Chronicles claim Cloten comedy conscience Cordelia court Cranmer creature critics Cymbeline Cymbeline's daughter death dramatic Edgar Edmund Elizabeth emblem England English essay father Fool Gloucester Goneril Goneril and Regan Guiderius Henry VIII Henry's Holinshed human Iachimo ideal Il pastor fido Imogen interpretation Jacobean James John Katherine Katherine's Kent King Lear king's kingdom Lear's London Lord love test magic marriage masque meaning ment Miranda moral narrative nature Orpheus patrilineal play play's plot political Posthumus Prince Prospero Queen reading Renaissance response role romance scene seems sense sexual Shake Shakespeare social speak speare speare's speech spirit stage Stephen Orgel suggests symbolic Tempest theater theatrical thee thou tion tragedy tragicomedy trial true truth Univ University Press virtue vision William Shakespeare Winter's Tale Wolsey Wolsey's words York