Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 61Gale Research Company, 1984 |
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Page 160
... argues that critics would not find fault with these characters if they were male , thus reflect- ing a double standard in the academic community which Shakespeare did not necessarily share . David Margolies ( see Further Reading ) ...
... argues that critics would not find fault with these characters if they were male , thus reflect- ing a double standard in the academic community which Shakespeare did not necessarily share . David Margolies ( see Further Reading ) ...
Page 161
... argues that they reject a separate and culturally defined feminine " moral- ity " in order to make their actions conform to the brutal nature of kingship . " Significantly , as Ann Thompson has noted , a great deal of criticism of the ...
... argues that they reject a separate and culturally defined feminine " moral- ity " in order to make their actions conform to the brutal nature of kingship . " Significantly , as Ann Thompson has noted , a great deal of criticism of the ...
Page 169
... argues that their obsession with power is a symptom of the patrilineal tradition of brutal kingship . Arguments which contend that subversion of traditional gender performance equals monstrosity force the sisters to occupy an ...
... argues that their obsession with power is a symptom of the patrilineal tradition of brutal kingship . Arguments which contend that subversion of traditional gender performance equals monstrosity force the sisters to occupy an ...
Contents
Masculine Identity and Feminine Power | 119 |
Religion History and Politics | 136 |
Further Reading | 158 |
Copyright | |
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action alchemy Anne Antonio argues Ariel audience Belarius Britain Caliban Cambridge character Chronicles claim Cloten comedy conscience Cordelia court Cranmer creature critics Cymbeline Cymbeline's daughter death dramatic Edgar Edmund Elizabeth emblem England English essay father Fool Gloucester Goneril Goneril and Regan Guiderius Henry VIII Henry's Holinshed human Iachimo ideal Il pastor fido Imogen interpretation Jacobean James John Katherine Katherine's Kent King Lear king's kingdom Lear's London Lord love test magic marriage masque meaning ment Miranda moral narrative nature Orpheus patrilineal play play's plot political Posthumus Prince Prospero Queen reading Renaissance response role romance scene seems sense sexual Shake Shakespeare social speak speare speare's speech spirit stage Stephen Orgel suggests symbolic Tempest theater theatrical thee thou tion tragedy tragicomedy trial true truth Univ University Press virtue vision William Shakespeare Winter's Tale Wolsey Wolsey's words York