Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 61Gale Research Company, 1984 |
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Page 174
... Kent continues : Let it fall rather , though the fork invade The region of my heart : be Kent unmannerly , When Lear is mad . What would'st thou do , old man ? Think'st thou that duty shall have dread to speak When power to flattery ...
... Kent continues : Let it fall rather , though the fork invade The region of my heart : be Kent unmannerly , When Lear is mad . What would'st thou do , old man ? Think'st thou that duty shall have dread to speak When power to flattery ...
Page 206
... Kent does not seem to be among those likely to have been consulted , since , despite his rank , it is clear from the opening lines of the play that he lacks the kind of firsthand knowledge Gloucester apparently has . " He thus has to ...
... Kent does not seem to be among those likely to have been consulted , since , despite his rank , it is clear from the opening lines of the play that he lacks the kind of firsthand knowledge Gloucester apparently has . " He thus has to ...
Page 207
... Kent draws atten- tion to the division of the kingdom or abdication as a political error . Throughout the Quarto and the rest of the Folio his single - minded concern is for Cordelia's and Lear's personal fate.105 These hints of an ...
... Kent draws atten- tion to the division of the kingdom or abdication as a political error . Throughout the Quarto and the rest of the Folio his single - minded concern is for Cordelia's and Lear's personal fate.105 These hints of an ...
Contents
Masculine Identity and Feminine Power | 119 |
Religion History and Politics | 136 |
Further Reading | 158 |
Copyright | |
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action alchemy Anne Antonio argues Ariel audience Belarius Britain Caliban Cambridge character Chronicles claim Cloten comedy conscience Cordelia court Cranmer creature critics Cymbeline Cymbeline's daughter death dramatic Edgar Edmund Elizabeth emblem England English essay father Fool Gloucester Goneril Goneril and Regan Guiderius Henry VIII Henry's Holinshed human Iachimo ideal Il pastor fido Imogen interpretation Jacobean James John Katherine Katherine's Kent King Lear king's kingdom Lear's London Lord love test magic marriage masque meaning ment Miranda moral narrative nature Orpheus patrilineal play play's plot political Posthumus Prince Prospero Queen reading Renaissance response role romance scene seems sense sexual Shake Shakespeare social speak speare speare's speech spirit stage Stephen Orgel suggests symbolic Tempest theater theatrical thee thou tion tragedy tragicomedy trial true truth Univ University Press virtue vision William Shakespeare Winter's Tale Wolsey Wolsey's words York