MOSELEY

Moseley, Humphrey, publisher, 181,
258

Moth, in Love's Labour's Lost, 51 n
Moulton, Dr. Richard G., 365
Mucedorus, a play by an unknown
author, 72

Much Ado about Nothing: a jesting
allusion to sonnetteering, 108;
its publication, 207, 208; date of
composition, 208; the comic
characters, 208; Italian origin of
Hero and Claudio, 208; parts
taken by William Kemp and
Cowley, 208; quotation from the
Spanish Tragedy, 221 n.
For
editions see Section xix. (Biblio-
graphy), 301-25.
Mulberry-tree at New Place, the,
194 and n

Music at stage performances in
Shakespeare's day, 38 n 2; its
indebtedness to the poet, 340

NASH, Anthony, the poet's legacy
to, 276

Nash, John, the poet's legacy to,
276

Nash, Thomas (1), marries Eliza-
beth Hall, Shakespeare's grand-
daughter, 282

Nash, Thomas (2), on

the per-
formance of Henry VI, 56, 57;
piracy of his 'Terrors of the
Night,' 88 n; on the immorta-
lising power of verse, 114; use
of the word 'lover,' 127 n; his
appeals to Southampton, 131,
134, 135 n, 385, 386; 221 n;
427 n 2; his preface to 'Astrophel
and Stella,' 429 n 1

Navarre, King of, in Love's Labour's
Lost, 51 n
Neil, Samuel, 364.

Nekrasow and Gerbel, translation

into Russian by, 353
New Place, Stratford, Shakespeare's
purchase of, 193, 194; entertain-
ment of Jonson and Drayton at,
271; the poet's death at, 272;
sold on the death of Lady Bar-
nard (the poet's granddaughter)

OXFORD

to Sir Edward Walker, 283;
pulled down, 283

Newcastle, Margaret Cavendish,
Duchess of, criticism of the poet
by, 331

Newdegate, Lady, 406 ₪, 415
Newington Butts Theatre, 37
Newman, Thomas, piratical publi-
cation of Sir Philip Sidney's
sonnets by, 88 п, 429 and я I
Nicolson, George, English agent in
Scotland, 41 n I

Nottingham, Earl of, his company
of players, 225; taken into the
patronage of Henry, Prince of
Wales, 231 n

OBERON, vision of, 17, 161; in
Huon of Bordeaux,' 162
Oechelhaeuser, W., acting edition
of the poet by, 346

Oldcastle, Sir John, play on his
history, 170, 313

'Oldcastle, Sir John,' the original
name of Falstaff in Henry IV, 169
Oldys, William, 231, 362
Olney, Henry, publisher, 437
Orlando Furioso, 47 n, 208
Ortlepp, E., German translation of
Shakespeare by, 344

Othello: date of composition, 235;
not printed in the poet's lifetime
235; plot drawn from Cinthio's
'Hecatommithi,' 236; new cha-
racters and features introduced
into the story, 236; exhibits the
poet's fully matured powers, 236.
For editions see Section xix.
(Bibliography), 301-25

Ovid, influence on Shakespeare of
his Metamorphoses,' 15, 75 and
n 1, 76, 162, 253; claims immor-
tality for his verse, 114 and n 1,
116 n; the poet's alleged signature
on the title-page of a copy of
the Metamorphoses' in the
Bodleian Library, 15

Oxford, the poet's visits to, 31, 265,

266; Hamlet acted at, 224
Oxford, Earl of, his company of
actors, 35

Palamon and Arsett, a lost play, 260
Palmer, John, actor, 337

Palladis Tamia,' eulogy on the poet
in, 178

Pandora,' Soothern's collection of
love-sonnets, 138 n 2

Pandosto (afterwards called Dorastus
and Fawnia), Shakespeare's in-
debtedness to, 251
Parodies on sonnetteering, 106-8,
122 and n

'Parthenophil and Parthenophe,'
Barnes's, 132
Pasquier, Estienne, 443
Passerat, Jean, 443

'Passionate Centurie of Love,'
Watson's, the passage on Time
in, 77; plagiarisation of Petrarch
in, 101 n 4, 102, 427 n 2, 428
Passionate Pilgrim,' piratical in-
sertion of two sonnets in, 98,
182, 437; the contents of, 182 n;
299; printed with Shakespeare's
poems, 300

Patrons of companies of players,
35; adulation offered to, 138 and
n 2, 140, 141, 440 and n
Pavier, Thomas, printer, 180
'Pecorone, I1,' by Ser Giovanni

Fiorentino, Shakespeare's indebt-
edness to, 14, 66 and n 3, 172;
W. G. Waters's translation of,

66n3
Peele, George, 57; his share in
the original draft of Henry VI,

60
Pembroke, Countess of, dedication

of Daniel's Delia' to, 130, 429;
homage paid to, by Nicholas
Breton, 138 n 2

Pembroke, Henry, second Earl of,

his company of players, perform

PETRARCH

Henry VI (part iii.), 36, 59; and
Titus Andronicus, 66
Pembroke, William, third Earl of,
the question of the identification of
'Mr. W. H.'with, 94, 406-15; per-
formance at his Wilton residence,
231, 232 n 1, 411; dedication
of the First Folio to, 306; his al-
leged relations with Shakespeare,
411-15; the identification of the
'dark lady' with his mistress,
Mary Fitton, 123 n, 409; the
mistaken notion that Shakespeare
was his protégé, 123 n; dedica-
tions by Thorpe to, 399 and n 1,
403 n 2

Penrith, Shakespeares at, I
Pepys, his criticisms of The Tempest
and Midsummer Night's Dream,

329

Percy, William, his sonnets, en-
titled 'Cœlia,' 435

Perez, Antonio, and Antonio in
The Merchant of Venice, 68 n
Pericles: date of composition, 242;
a work of collaboration, 242; the
poet's contributions, 244; dates
of the various editions, 244; not
included in the First Folio, 305:
included in Third Folio, 313. For
editions see Section xix. (Biblio-
graphy), 301-25

Perkes (Clement), in Henry IV.,
member of a family at Stinch-
combe Hill in the sixteenth cen-
tury, 168

'Perkins Folio,' forgeries in the,
312, 317 n 2, 367 and n
Personalities on the stage, 215 # 1
Péruse, Jean de la, 443

Petowe, Henry, elegy on Queen
Elizabeth by, 148

Petrarch, emulated by Elizabethan
sonnetteers, 84, 85, 86 n; feigns
old age in his sonnets, 86 n; his
metre, 95; Spenser's translations
from, 101; imitation of his son-
nets justified by Gabriel Harvey,
101 n 4; plagiarisms of, admitted
by sonnetteers, 101 # 4: Wyatt's
translations of two of his sonnets,
ΙΟΙ 4, 427; plagiarised in-
directly by Shakespeare, 110, 1II

PHELPS

and n, 113 n I; the melancholy
of his sonnets, 152 n; imitated
in France, 443
Phelps, Samuel, 325, 339
Phillips, Augustine, actor, friend of
Shakespeare, 36; induced to re-
vive Richard II at the Globe in
1601, 175; his death, 264
Phillips, Edward (Milton's nephew),

criticism of the poet by, 362;
editor of Drummond's Sonnets,
439 n I

'Phillis,' Lodge's, 118 n 2, 433 and
n3

Philosophy, Chapman's sonnets in
praise of, 441

'Phoenix and the Turtle, The,' 183,
184, 304

Pichot, A., 350

'Pierce Pennilesse.' See Nash,
Thomas (2)

'Pierces Supererogation,' by Gabriel
Harvey, 101 n 4, 105

Pindar, his claim for the immortality
of verse, 114 and n 1

Plague, the, in Stratford-on-Avon,
ro; in London, 65, 231
Plautus, the plot of the Comedy of
Errors drawn from, 16; transla-
tion of, 54

Plays, sale of, 47 and n; revision of,
47; their publication deprecated
by playhouse authorities, 48 n;
only a small proportion printed,
48 n; prices paid for, 202 n
'Pléiade, La,' title of the literary
comrades of Ronsard, 442; list
of, 443

Plutarch,' North's translation of,
Shakespeare's indebtedness to,
47, 162, 211, 243, 245 and n, 246
and n

Poaching episode, the, 27, 28
'Poetaster,' Jonson's, 217, 218

and n
Poland, translations and perfor-
mances of Shakespeare in, 353
Pontoux, Claude de, name of his
heroine copied by Drayton, 104
Pope, Alexander, 297; edition of
Shakespeare by, 315
Porto, Luigi da, adapts the story of
Romeo and Juliet, 55 n 1

QUINEY

Portraits of the poet, 286-93, 296 n 2;
the 'Stratford' portrait, 287;
Droeshout's engraving, 287, 288,
300, 306; the Droeshout' paint-
ing, 288-91; portrait in the
Clarendon gallery, 291; Ely
House' portrait, 290, 291; Chan-
dos portrait, 292, 293; Jansen'
portrait, 293, 294;
Felton' and
'Soest' portraits, 294; minia-
tures, 295

Pott, Mrs. Henry, 372
Prévost, Abbé, 348
Pritchard, Mrs., 336

Procter, Bryan Waller (Barry Corn-
wall), 324

Promos and Cassandra, 237
Prospero, character of, 257
Provinces, the, practice of theatrical
touring in, 39-42, 65
Publication of dramas: deprecated
by playhouse authorities, 48 n;
only a small proportion of the
dramas of the period printed,
48 n; sixteen of Shakespeare's
plays published in his lifetime, 48
Punning, 418, 419

Puritaine, or the Widdow of Wat-
ling-streete, The, 180, 313
Puritanism, alleged prevalence in
Stratford-on-Avon of, 10 n; 268
n2; its hostility to dramatic re-
presentations, Ion, 212, 213n1;
the poet's references to, 268 n I
'Pyramus and Thisbe,' 397

QUARLES, John, Banishment of
Tarquin' of, 300

Quarto editions of the plays, in the
poet's lifetime, 301, 302; pos-
thumous, 302, 303; of the poems
in the poet's lifetime, 299; pos-
thumous, 300

'Quatorzain,' term applied to the
Sonnet, 427 n 2, cf. 429 n I
'Queen's Children of the Chapel,
the, 34, 35, 38, 213-17
Queen's Company of Actors, the,
welcomed to Stratford-on-Avon
by John Shakespeare, 10; its re-
turn to London, 33, 35. 231 n
Quiney, Thomas, marries Judith

QUINTON

Shakespeare, 271; his residence
and trade in Stratford, 280; his
children, 281

Quinton, baptism of one of the
Hacket family at, 165

RAPP, M., German translation of
Shakespeare by, 344
Ralegh, Sir Walter,

extravagant

apostrophe to Queen Elizabeth by,
137 n 1; 182 n

Ratseis Ghost,' and Ratsey's ad-
dress to the players, 185, 199
Ravenscroft, Edward, on Titus
Andronicus, 65, 332

Reed, Isaac, 321, 322

Reformation, the, at Stratford-on-
Avon, Ion

Rehan, Miss Ada, 342

Religion and Philosophy, sonnets on,
440, 441

Return from Parnassus, The, 198,
199 n 1, 218-20, 277
Revision of plays, the poet's, 47, 48
Reynoldes, William, the poet's

legacy to, 276
Rich, Barnabe, story of 'Apollonius
and Silla' by, 53, 210

Rich, Penelope, Lady, Sidney's pas-
sion for, 428

Richard II: the influence of Mar-
lowe, 63, 64; published anony-
mously, 63; the deposition scene,
64; the facts drawn from Ho-
linshed, 64; its revival on the
eve of the rising of the Earl of
Essex, 175, 383. For editions
see Section xix. (Bibliography),
301-25
Richard III: the influence of Mar-
lowe, 63; materials drawn from
Holinshed, 63; Mr. Swinburne's
criticism, 63; Burbage's imperso-
nation of the hero, 63; published
anonymously, 63; Colley Cib-
ber's adaptation, 335. For editions
see Section xix. (Bibliography),
301-25

Richardson, John, one of the sure-
ties for the bond against impedi-
ments respecting Shakespeare's
marriage, 20, 22

ROUSSILLON

Richmond Palace, performances at,
82, 230

Ristori, Madame, 352

Roberts, James, printer, 225, 226,
303, 431

Robinson, Clement, use of the word
'sonnet' by, 427 n 2

Roche, Walter, master of Stratford
Grammar School, 13

Roles, Shakespeare's: at Greenwich
Palace, 43, 44 n1; in Every
Man in his Humour, 44; in
Sejanus, 44; the Ghost in
Hamlet, 44; played some kingly
parts in sport,' 44; Adam in As
You Like It, 44

Rolfe, Mr. W. J., 325
Romeo and Juliet, 54; plot drawn
from the Italian, 55; date of
composition, 56; first printed,
56; authentic and revised version
of 1599, 56; two choruses in the
sonnet form, 84; satirical allusion
to sonnetteering, 108. For editions
see Section xix. (Bibliography),
301-35

Romeus and Juliet, Arthur Brooke's,
55, 322

Ronsard, plagiarised by English

sonnetteers, 102, 103 3, 432
seq.; by Shakespeare, 111, 112 and
n1; his claim for the immorta-
lity of verse, 114 and # 1, 116 n;
his sonnets of vituperation, 121;
first gave the sonnet a literary
vogue in France, 442; and La
Pléiade,' 442; modern reprint of
his works, 445 n
Rosalind, played by a boy, 38 n 2
Rosaline, praised for her black-
ness,' 118, 119

'Rosalynde, Euphues Golden Le-
gacie,' Lodge's, 209

Rose Theatre, Bankside: erected by
Philip Henslowe, 36; opened by
Lord Strange's company, 36;
the scene of the poet's first suc-
cesses, 37; performance of Henry
VI, 56; production of the Vene-
syon Comedy, 69

Rossi, representation of Shake-
speare by, 352

Roussillon, Countess of, 163

ROWE

Rowe, Nicholas, on the parentage
of Shakespeare's wife, 18; on
Shakespeare's poaching escapade,
27; on Shakespeare's perform-
ance of the Ghost in Hamlet, 44;
on the story of Southampton's
gift to Shakespeare, 126; on
Queen Elizabeth's enthusiasm for
the character of Falstaff, 171;
on the poet's last years at Strat-
ford, 266; on John Combe's
epitaph, 269 n; his edition of
the poet's plays, 314, 362
Rowington, the Richard
William Shakespeares of, 2
Rowlands, Samuel, 397
Rowley, William, 181, 243
Roydon, Matthew, adulatory lines
to Sir Philip Sidney by, 140;
elegy on Sidney, 184 n

and

Rupert, Prince, at Stratford-on-
Avon, 281

Rusconi, Carlo, Italian prose ver-
sion of Shakespeare issued by,
352

Russia, translations and perfor-
mances of Shakespeare in, 352,
353

Rymer, Thomas, his censure of
the poet, 329

SÈVE

for the bond against impediments
with respect to Shakespeare's
marriage, 20, 22; supervisor of
Richard Hathaway's will, 22
Saperton, 27, 29

Sapho and Phao,' address to
Cupid in, 97 n

Satiro-Mastix, a retort to Jonson's
Cynthia's Revels, 215

Savage, Mr. Richard, 165 n, 363
'Saviolo's Practise,' 209
Scenery unknown in Shakespeare's
day, 38 and n 2; designed by
Inigo Jones for masques, 38 n 2;
Sir Philip Sidney on difficulties
arising from its absence, 38 n 2
Schiller, adaptation of Macbeth for
the stage by, 345

Schlegel, A. W. von, 180; German
translation of Shakespeare by,
343; lectures on Shakespeare by,
344

Schmidt, Alexander, 364
'Schoole of Abuse,' 67
Schroeder, F. U. L., German actor
of Shakespeare, 346

Schubert, Franz, setting of Shake-
pearean songs by, 347
Schumann, setting of Shakespearean
songs by, 347

'Scillaes Metamorphosis,' Lodge's,
drawn upon by Shakespeare for
'Venus and Adonis,' 75 and n 2
Scoloker, Anthony, in 'Daiphantus,'
277
Scotland,

Shakespeare's alleged
travels in, 40-42; visits of actors
to, 41

Scott, Reginald, allusion to Mo-
narcho in The Discoverie of
Witchcraft' of, 51 n

Scott, Sir Walter, at Charlecote, 28
Scourge of Folly, 44 n 2
Sedley, Sir Charles, apostrophe
the poet, 331

Sejanus, Shakespeare takes part
the performance of, 44, 401
Selimus, 179

Serafino dell' Aquila, Watson's in-
debtedness to, 77 n 2, 102, 103
n I, 442 n

Sève, Maurice, 104 and 2, 430, 442,
445 n I