India, translations and representa-
tions of Shakespeare in, 354
Ingannati, (G), its resemblance to
Twelfth Night, 210
Ingram, Dr., on the weak end-
ings' in Shakespeare, 49 n
Ireland forgeries, the (Appendix I.),
366

Ireland, Samuel, on the poaching
episode, 28

Irishman, the only, in Shakespeare's

dramatis personæ, 173
Irving, Sir Henry, 339
Italian, the poet's acquaintance
with, 14-16, cf. 66 n 3
Italy, Shakespeare's knowledge of,
43; translations and perfor-
mances of Shakespeare in, 352;
the original home of the sonnet,
442 n 2; list of sonnetteers of the
sixteenth century in, 442 n 2
Itinerary of Shakespeare's company
in the provinces between 1593
and 1614, 40 and n 1

JOHNSON

JAGGARD, Isaac, 305
Jaggard, William, piratically inserts
two of Shakespeare's sonnets in
his Passionate Pilgrim,' 89, 182,
299, 390, 396; prints the First
Folio, 303, 304

James VI of Scotland and I of
England, his favour bestowed on
actors, 41 n 1; sonnets to, 440;
his appreciation of Shakespeare,
82; his accession to the English
throne, 147, 148, 149; grants a
license to the poet and his com-
pany, 230; his patronage of
Shakespeare and his company.
232-4, 411; performances of A
Winter's Tale and The Tempest
before him, 251 and n, 254, 255,
256 n.

James, Sir Henry, 311
Jameson, Mrs., 365

Jamyn, Amadis, 432, 443, 444,
455 n

Jansen, Cornelius, alleged portrait
of Shakespeare by, 294
Jansen or Janssen, Gerard, 276
Jeronimo, resemblance between
the stories of Hamlet and

221 N

Jew of Malta, Marlowe's, 68
Jew... showne at the Bull, a lost
play, 67

Jodelle, Estienne, resemblances in

'Venus and Adonis' to a poem
by, 75 2; his parody of the
vituperative sonnet, 121, 122
and n.; and 'La Pléiade,'

443

John, King, old play on, attributed
to the poet, 181
John, King, Shakespeare's play of,
printed in 1623, 69; the origina
lity and strength of the three
chief characters in, 69, 70. For
editions see Section xix. (Biblio-
graphy) 301-325

Johnson, Dr., his story of Shake-
speare, 33; his edition of Shake-
speare, 319, 320, 321; his reply
to Voltaire, 348

Johnson, Gerard, his monument to
the poet in Stratford Church,
276

JOHNSON

Johnson, Robert, lyrics set to music
by, 255 and n

Jones, Inigo, designs scenic decora-
tion for masques, 38 n 2
Jonson, Ben, on Shakespeare's lack
of exact scholarship, 16; Shake-
speare takes part in the perform-
ance of Every Man in his
Humour and in Sejanus, 44;
on Titus Andronicus, 65; on
the appreciation of Shakespeare
shown by Elizabeth and James I,
82; on metrical artifice in son-
nets, 106 n I; use of the word
'lover,' 127 n; identified by
some as the rival poet,' 136;
his dedicatory' sonnets, 138 n
2; his apostrophe of the Earl of
Desmond, 140; relations with
Shakespeare, 176, 177; gift of
Shakespeare to his son, 177;
share in the appendix to 'Love's'
Martyr,' 183; quarrel with Mars-
ton and Dekker, 214-20; his
'Poetaster,' 217, 218 and
allusions to him in the Return
from Parnassus, 219; his scorn-
ful criticism of Julius Cæsar, 220
n; satiric allusion to A Winter's
Tale, 251; his sneering refe-
rence to The Tempest in Bartho-
lomew Fair, 255; entertained by
Shakespeare at New Place, Strat-
ford, 271; testimony to Shake-
speare's character, 277; his tri-
bute to Shakespeare in the First
Folio, 306, 311, 327; his Hue
and Cry after Cupid, 432 n 2;
Thorpe's publication of some of
his works, 395 n 3, 401
Jordan, John, forgeries of (Appen-
dix 1.), 365, 366
Jordan, Mrs., 338, 339.
Jordan, Thomas, his lines on men

n;

playing female parts, 335 n
Jourdain, Sylvester, 252
Jubilee,' Shakespeare's, 334
Julius Cæsar : use of the word
'lovers,' 127 n; plot drawn from
Plutarch, 211; date of produc-
tion, 211; a play of the same
title acted in 1594, 211; general
features of the play, 211, 212;

L., H.

Jonson's hostile criticism, 220 n.
For editions see Section xix.
(Bibliography), 301-25

Jusserand, M. J. J., 42 n I,
348 n 1, 351 n 2.

KEAN, Edmund, 338, 351
Keller, A., German translation of
Shakespeare by, 344
Kemble, Charles, 351
Kemble, John Philip, 337
Kemp, William, comedian, plays
at Greenwich Palace, 43; 208, 219
Kenilworth, Elizabeth's visit to, 17,
cf. 162

Ketzcher, N., translation into
Russian by, 353

Killigrew, Thomas, and the sub-
stitution of women for boys in
female parts, 334

King's players, the company of, 35;
Shakespeare one of its members,
36; the poet's plays performed
almost exclusively by, 36;
theatres at which it performed,
36, 37; provincial towns which
it visited between 1594 and 1614,
40 and n 1; King James's
license to, 230, 231

Kirkland, the name of Shakespeare

LA HARPE

La Harpe and the Shakespearean
controversy in France, 349
Labé, Louise, 445 n
Lamb, Charles, 259, 338
Lambarde, William, 175
Lambert, Edmund, mortgagee of
the Asbies property, 12, 26, 164
Lambert, John, proposal to confer
upon him an absolute title to the
Asbies property, 26; John
Shakespeare's lawsuit against,

195

Lane, Nicholas, a creditor of John
Shakespeare, 186

Langbaine, Gerard, 66, 362
Laroche, Benjamin, translation by,
350

Latin, the poet's acquaintance
with, 13, 15, 16

'Latten,' use of the word in Shake-
speare, 177 n

'Laura,' Shakespeare's allusion to
her as Petrarch's heroine, 108;
title of Tofte's collection of
sonnets, 438

Law, the poet's knowledge of, 32
and cf. n 2, and 107
Lawrence, Henry, his seal beneath
Shakespeare's autograph, 267
Lear, King: date of composition,
241; produced at Whitehall,

241; Butter's imperfect editions,
241; sources of story, 241; the
character of the King, 242. For
editions see Section xix. (Biblio-
graphy) 301-25
Legal terminology in plays and
poems of the Shakespearean
period, 32 n 2, 430, cf. 107
Legge, Dr. Thomas, a Latin piece
on Richard III by, 63
Leicester, Earl of, his entertain-
ment of Queen Elizabeth
Kenilworth, 17, 162; his regi-
ment of Warwickshire youths for
service in the Low Countries, 30 ;
his company of players, 33, 35
Leo, F. A., 346

at

Leoni, Michele, Italian translation
of the poet issued by, 352
'Leopold' Shakspere, the, 325
Lessing, defence of Shakespeare by,
343

LOVE'S

L'Estrange, Sir Nicholas, 176
Le Tourneur, Pierre, French prose
translation of Shakespeare by,

349

'Licia,' Fletcher's collection of
sonnets called, 77 n 2, 103, 105,

113 n 5, 433

Linche, Richard, his sonnets en-
titled 'Diella,' 437
Lintot, Bernard, 231
Locke (or Lok), Henry, sonnets
by, 388, 441

Locrine, Tragedie of, 179

Lodge, Thomas, 57, 61; his 'Scillaes
Metamorphosis' drawn upon by
Shakespeare for Venus and
Adonis,' 75 and n 2; his plagia-
risms, 103 and n 3, 433; compari-
son of lips with coral in Phillis,'
118 n 2; his 'Rosalynde' the
foundation of As You Like It,
209; his Phillis,' 417, 433
London Prodigall, 180, 313
Lope de Vega dramatises the story
of Romeo and Juliet, 55 # 1
Lopez, Roderigo, Jewish physi-
cian, 68 and n

Lorkin, Rev. Thomas, on the burning
of the Globe Theatre, 261 n
Love, treatment of, in Shakespeare's
sonnets, 97 and n, 98, 112, 113
and n 2; in the sonnets of other
writers, 104-6, 113 n 2
'Lover' and love' synonymous
with 'friend' and 'friendship' in
Elizabethan English, 127 n
'Lover's Complaint, A,' possibly
written by Shakespeare, 91
Love's Labour's Lost: Latin phrases
in, 15; probably the poet's first
dramatic production, 50; its plot
not borrowed, 51; its characters,
51 and 2, 52; its revision in 1597,
52; date of publication, 52; in-
fluence of Lyly, 62; performed at
Whitehall, 81; examples of the
poet's first attempts at sonnetteer-
ing, 84; scornful allusion to
sonnetteering, 107; the praise of
'blackness,' 118, 119 and # 2;
performed before Anne of Den-
mark at Southampton's house in
the Strand, 384. For editions

LOVE

see Section xix. (Bibliography),
301-25

Love's Labour's Won, attributed by
Meres to Shakespeare, 162. See
All's Well

'Love's Martyr, or Rosalin's Com-
plaint,' 183, 184 n, 304
Lowell, James Russell, 13 n, 341
Lucian, the Timon of, 243
Lucrece published in 1594, 76;
Daniel's Complainte of Rosa-
mond' reflected, 76, 77 and 1;
the passage on Time elaborated
from Watson, 77 and n 2; dedi-
cated to the Earl of Southampton,
77, 78, 126, 127; enthusiastic
reception of, 78-9; quarto editions
in the poet's lifetime, 299; pos-
thumous editions, 300

Lucy, Sir Thomas, his prosecution
of Shakespeare for poaching, 27,
28; caricatured in Justice Shallow,

'M. I., 306. See also S., I. M.'
Macbeth: references to the climate

of Inverness, 41 n 3, 42; date of
composition, 239; the story
drawn from Holinshed, 239:
points of difference from other
plays of the same class, 240;
Middleton's plagiarisms, 240;
not printed until 1623, 239; the
shortest of the poet's plays, 239;
performance at the Globe, 239.
For editions see Section
(Bibliography), 301-25
Macbeth, Lady, and Eschylus's
Clytemnestra, 13 n

XIX.

Mackay, Mr. Herbert, on the dower
of the poet's widow, 274

Manuscript, circulation of sonnets
in, 88 and n (Appendix ix.), 391,
396
Marino, vituperative sonnet by, 122
n 1, 442 n 2
Markham, Gervase, his adulation
of Southampton in his sonnets,
131, 134, 387
Marlowe, Christopher,

57; his
share in the revision of Henry VI,
60; his influence on Shakespeare,
61, 63-4; Shakespeare's acknow-
ledgments, 64; his translation of
Lucan, 90, 393, 399

Marmontel and the Shakespearean
controversy in France, 349
Marot, Clément, 442
Marriage, treatment of, in the Son-
nets, 98

Marshall, Mr. F. A., 325
Marston, John, identified by some
as the rival poet,' 136; 183; his
quarrel with Jonson, 214-20
Martin, one of the English actors
who played in Scotland, 41 and

ΚΙ

Martin, Lady, 339, 365
'Mary Magdalene's Funeral Tears,'
88 n

Masks worn by men playing wo-

men's parts, 38 n 2

Massinger, Philip, 258; portions of

H H

Menæchmi of Plautus, 54
Mendelssohn, setting of Shake-
spearean songs by, 347
Merchant of Venice: the influence
of Marlowe, 63, 68; sources of
the plot, 66, 67; the last act, 69;
date of, 69; use of the word
'lover,' 127 n. For editions see
Section xix. (Bibliography), 301-
325

Meres, Francis, recommends Shake-
speare's sugred' sonnets, 89;
his quotations from Horace and
Ovid on the immortalising power
of verse, 116 n; attributes Love's
Labour's Won to Shakespeare,
162; testimony to the poet's
reputation, 178, 179, 390
Mermaid Tavern, 177, 178
Merry Devill of Edmonton, 181,
258 n 2
Merry Wives of Windsor: Latin
phrases put into the mouth of Sir
Hugh Evans, 15; Sir Thomas
Lucy caricatured in Justice Shal-
low, 29; lines from Marlowe sung
by Sir Hugh Evans, 64, 65;

per od of production, 171;
publication of, 172; source of

Midsummer Night's Dream: re-
ferences to the pageants at Kenil-
worth Park, 17, 162; reference
to Spenser's Teares of the
Muses, 80; date of production,
161; sources of the story, 162; the
final scheme, 162. For editions
see Section xix. (Bibliography),
301-325

Milton, applies the epithet 'sweetest'
to Shakespeare, 179 n; his epi-
taph on Shakespeare, 327
Minto, Professor, claims Chapman
as Shakespeare's 'rival' poet,
135 n

Miranda, character of, 256
'Mirror of Martyrs,' 211
Miseries of Enforced Marriage,