 ... in their minds. In Painting it is far better to have a model even to depart from, than to have nothing fixed and certain to determine the idea. When there is a model, there is something to proceed on, something to be corrected; so that even supposing...  The Critical Review, Or, Annals of Literature - Page 275edited by - 1783Full view - About this book
 | Charles-Alphonse Dufresnoy - 1783 - 248 pages
...deviate from it, and correct it from the idea which you have formed in your mind of perfect beauty. In Painting it is far better to have a model even...that even fuppofing no part is taken, the model has ftill been not without ufe. Such habits of intercourfe with nature, will at leaft create that variety... | |
 | George Colman - 1787 - 386 pages
...from it, and '* correct it from the idea which you have formed " in your mind of perfeft beauty. •* In Painting it is far better to have a model even...is fomething •' then to proceed on, fomething to b< correfted ; " fo that even fuppofing that no part is taken, the " model has ftill been not without... | |
 | George Colman - 1787 - 370 pages
...you have formed " in your mind of perfeft beauty. *« In Painting it is far better to have a mtdel even «* to depart from, than to have nothing fixed...certain to determine the idea: There is fomething 4t then to proceed on, fomething to be corredted ; ** fo that even fuppofing that no part is taken,... | |
 | Sir Joshua Reynolds, Edmond Malone - 1798 - 394 pages
...deviate from it, and correct it from the idea of perfect beauty which they have formed in their minds. In Painting it is far better to have a model even...have nothing fixed and certain to determine the idea. When there is a model, there is something to proceed on, something to be corrected; so that even supposing... | |
 | sir Joshua Reynolds - 1801 - 392 pages
...deviate from it, and correct it from the idea of perfect beauty which they haveeformed in their minds. In Painting it is far better to have a model even...have nothing fixed and certain to determine the idea. When there is a model, there is somthing to proceed on, something to be corrected; so that even supposing... | |
 | Sir Joshua Reynolds, Edmond Malone - 1801 - 388 pages
...deviate from it, and correct it from the idea of perfect beauty which they haveeformed in their minds. In Painting it is far better to have a model even...have nothing fixed and certain to determine the idea. When there is a model, there is somthing to proceed on, something to be corrected; so that even supposing... | |
 | 1808 - 578 pages
...deviate from it, and correct it from the idea of present beauty which they have formed in their minds. In painting, it is far better to have a model, even...have nothing fixed and certain to determine the idea. When there is a model, there is something to proceed on, something to be corrected ; to that, even... | |
 | Sir Joshua Reynolds, Edmond Malone - 1809 - 438 pages
...deviate from it, and correct it from the idea of perfect beauty which they have formed in their minds. In Painting it is far better to have a model even...have nothing fixed and certain to determine the idea. When there is a model, there is something to proceed on, something to be corrected; so that even supposing... | |
 | William Mason - 1811 - 436 pages
...deviate from it, and correct it from the idea of perfect beauty which they have formed in their minds. In painting it is far better to have a model even...have nothing fixed and certain to determine the idea. When there is a model, there is something to proceed on, something to be corrected ; so that even supposing... | |
 | William Mason - 1811 - 430 pages
...deviate from it, and correct it from the idea of perfect beauty which they have formed in their minds. In painting it is far better to have a model even...have nothing fixed and certain to determine the idea. When there is a model, there is something to proceed on, something to be corrected ; so that even supposing... | |
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