Shakespeare's Tragedies: An IntroductionThis book introduces the students and the general reader to Shakespeare's tragedies and to the problems of interpreting them. Traditional questions and answers regarding the texts, as well as their realization in performance, are examined, and it is shown how the plays do not offer easy of final solutions to the tragic dilemmas presented, but engage the reader and spectator in a debate with more than one possible outcome. Each of the tragedies is examined separately, with discussions of its provenance, its stage history and critical history, and of the problems associated with its categorization as part of the 'tragic' genre. He refers widely to a representative body of Shakespearian criticism, and provides a useful bibliography which indicates the best sources for a reader wishing to pursue individual themes further. The book is carefully written and should serve as a valuable introduction for anyone wanting to gain a sense of the richness of the plays and the diversity of debate and interpretation that has surrounded them. |
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Contents
INTRODUCTION SHAKESPEARE AND THE IDEA OF TRAGEDY | 1 |
A note on the problem of classification | 8 |
THE EARLY TRAGEDIES | 10 |
Romeo and Juliet | 19 |
THE GREAT TRAGEDIES | 30 |
Othello | 56 |
King Lear | 77 |
Macbeth | 105 |
Antony and Cleopatra | 152 |
Coriolanus | 178 |
Timon of Athens | 202 |
Troilus and Cressida | 220 |
Abbreviations | 234 |
Notes | 235 |
261 | |
268 | |
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Common terms and phrases
action actual already Antony Antony's appears aspect audience becomes beginning brief Brutus Caesar character classical clear Cleopatra close comedy comic common completely concerned context contrast conventional Coriolanus course Cressida critics death decision discussion doubt dramatic dramatist edition effect Elizabethan emotional evidently evil experience expression fact fate final gives Hamlet hand hero heroic human idea ideal important impression individual intensity interesting interpretation kind King Lear knows later Lear's least leaves less London lovers loyalty Macbeth means mind moral murder nature never Othello particularly play play's Plutarch political possible presented problems question reaction readers reason revenge rhetoric Roman Rome Romeo and Juliet scene seems seen sense Shakespeare shows side similar simple situation society soliloquy spectator stage story suffering suggests theme Timon traditional tragedy tragic Troilus turns whole