Criticism; the Foundations of Modern Literary JudgmentMark Schorer Harcourt, Brace, 1958 - 553 pages |
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Page 5
... True . Then the user of them must have the greatest experience of them , and he must indicate to the maker the good or bad qualities which develop themselves in use ; for example , the flute - player will tell the flute - maker which of ...
... True . Then the user of them must have the greatest experience of them , and he must indicate to the maker the good or bad qualities which develop themselves in use ; for example , the flute - player will tell the flute - maker which of ...
Page 6
... true or healthy aim . Exactly . The imitative art is an inferior who marries an inferior , and has inferior offspring . Very true . And is this confined to the sight only , or does it extend to the hearing also , relating in fact to ...
... true or healthy aim . Exactly . The imitative art is an inferior who marries an inferior , and has inferior offspring . Very true . And is this confined to the sight only , or does it extend to the hearing also , relating in fact to ...
Page 490
... true and untrue or only half - true . It is charlatanism , con- scious or unconscious , whenever we confuse or obliterate these . And in poetry , more than any- where else , it is unpermissible to confuse or obliterate them . For in ...
... true and untrue or only half - true . It is charlatanism , con- scious or unconscious , whenever we confuse or obliterate these . And in poetry , more than any- where else , it is unpermissible to confuse or obliterate them . For in ...
Contents
PLATO The Poet in the Republic | 1 |
LONGINUS On the Sublime | 10 |
THOMAS HOBBES Answer to Sir William Davenants | 25 |
Copyright | |
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action admiration Allen Tate ancient appear Aristotle artist beauty Ben Jonson called character classical comedy concrete universal conscious criticism delight divine drama effect English Epic poetry essay Euripides example experience expression fact feeling fiction Freud give Greek hath Hegel Henry James Homer human idea imagination imitation James kind language learning less literary literature living meaning ment metaphor metre Milton mind modern moral nature never novel objects Oedipus passion perhaps person philosophical Plato play pleasure plot poem Poesie poet poetic poetry present principle produced prose reader reason Restoration comedy rhyme romanticism scene seems sense sentiment Shakespeare sith Sophocles soul speak spirit stanza story style T. E. Hulme T. S. Eliot taste things thought tion Tiresias tragedy tragic true truth ture unity verse whole words writing