Criticism; the Foundations of Modern Literary JudgmentMark Schorer Harcourt, Brace, 1958 - 553 pages |
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Page 104
... thought , " and I still think that no thought can become poetic unless it is apprehended in its mental configuration - we lack the equivalent of the more exact German word Gestalt . But what is still necessary is some explanation of why ...
... thought , " and I still think that no thought can become poetic unless it is apprehended in its mental configuration - we lack the equivalent of the more exact German word Gestalt . But what is still necessary is some explanation of why ...
Page 191
... thought . He said : " Everything there is man - made . " At this moment the line flashed into my head A language of flesh and roses . The sequence of my thought was as follows : the industrial landscape which seems by now a rou- tine ...
... thought . He said : " Everything there is man - made . " At this moment the line flashed into my head A language of flesh and roses . The sequence of my thought was as follows : the industrial landscape which seems by now a rou- tine ...
Page 202
... thought ; for it is by these that we qualify actions themselves , and these thought and character - are the two nat- ural causes from which actions spring , and on actions again all success or failure depends . 6. Hence , the Plot is ...
... thought ; for it is by these that we qualify actions themselves , and these thought and character - are the two nat- ural causes from which actions spring , and on actions again all success or failure depends . 6. Hence , the Plot is ...
Contents
PLATO The Poet in the Republic | 1 |
LONGINUS On the Sublime | 10 |
THOMAS HOBBES Answer to Sir William Davenants | 25 |
Copyright | |
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action admiration Allen Tate ancient appear Aristotle artist beauty Ben Jonson called character classical comedy concrete universal conscious criticism delight divine drama effect English Epic poetry essay Euripides example experience expression fact feeling fiction Freud give Greek hath Hegel Henry James Homer human idea imagination imitation James kind language learning less literary literature living meaning ment metaphor metre Milton mind modern moral nature never novel objects Oedipus passion perhaps person philosophical Plato play pleasure plot poem Poesie poet poetic poetry present principle produced prose reader reason Restoration comedy rhyme romanticism scene seems sense sentiment Shakespeare sith Sophocles soul speak spirit stanza story style T. E. Hulme T. S. Eliot taste things thought tion Tiresias tragedy tragic true truth ture unity verse whole words writing