Criticism; the Foundations of Modern Literary JudgmentMark Schorer Harcourt, Brace, 1958 - 553 pages |
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Page 39
... principle which must be well known to those who have made any of the Arts the object of accurate reflection ; namely , the pleasure which the mind derives from the perception of similitude in dissimilitude . This principle is the great ...
... principle which must be well known to those who have made any of the Arts the object of accurate reflection ; namely , the pleasure which the mind derives from the perception of similitude in dissimilitude . This principle is the great ...
Page 455
... principle of its own integrity . The one is the τò лоɛv , 1 or the principle of synthesis , and has for its objects those forms which are common to universal nature and exist- ence itself ; the other is the tò λoyev , or principle of ...
... principle of its own integrity . The one is the τò лоɛv , 1 or the principle of synthesis , and has for its objects those forms which are common to universal nature and exist- ence itself ; the other is the tò λoyev , or principle of ...
Page 535
... principle is dispatched by daggers , the principle lives on in me , who continue the function of Caesar in the play . In the next act , the fourth , the persona itself will reappear momentarily as a ghost in Brutus ' tent - but on the ...
... principle is dispatched by daggers , the principle lives on in me , who continue the function of Caesar in the play . In the next act , the fourth , the persona itself will reappear momentarily as a ghost in Brutus ' tent - but on the ...
Contents
PLATO The Poet in the Republic | 1 |
LONGINUS On the Sublime | 10 |
THOMAS HOBBES Answer to Sir William Davenants | 25 |
Copyright | |
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action admiration Allen Tate ancient appear Aristotle artist beauty Ben Jonson called character classical comedy concrete universal conscious criticism delight divine drama effect English Epic poetry essay Euripides example experience expression fact feeling fiction Freud give Greek hath Hegel Henry James Homer human idea imagination imitation James kind language learning less literary literature living meaning ment metaphor metre Milton mind modern moral nature never novel objects Oedipus passion perhaps person philosophical Plato play pleasure plot poem Poesie poet poetic poetry present principle produced prose reader reason Restoration comedy rhyme romanticism scene seems sense sentiment Shakespeare sith Sophocles soul speak spirit stanza story style T. E. Hulme T. S. Eliot taste things thought tion Tiresias tragedy tragic true truth ture unity verse whole words writing