Criticism; the Foundations of Modern Literary JudgmentMark Schorer Harcourt, Brace, 1958 - 553 pages |
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Page 36
... pleasure , by which he knows , and feels , and lives , and moves . We have no sympathy but what is propagated by pleasure : I would not be misunderstood ; but wherever we sympathize with pain , it will be found that the sympathy is ...
... pleasure , by which he knows , and feels , and lives , and moves . We have no sympathy but what is propagated by pleasure : I would not be misunderstood ; but wherever we sympathize with pain , it will be found that the sympathy is ...
Page 38
... pleasure which co - exists with it . It will now be proper to answer an obvious question , namely , Why , professing these opin- ions , have I written in verse ? To this , in addi- tion to such answer as is included in what has been ...
... pleasure which co - exists with it . It will now be proper to answer an obvious question , namely , Why , professing these opin- ions , have I written in verse ? To this , in addi- tion to such answer as is included in what has been ...
Page 39
... pleasure - an effect which , in a much greater degree than might at first be imagined , is to be ascribed to small , but con- tinual and regular impulses of pleasurable sur- prise from the metrical arrangement . On the other hand ( what ...
... pleasure - an effect which , in a much greater degree than might at first be imagined , is to be ascribed to small , but con- tinual and regular impulses of pleasurable sur- prise from the metrical arrangement . On the other hand ( what ...
Contents
PLATO The Poet in the Republic | 1 |
LONGINUS On the Sublime | 10 |
THOMAS HOBBES Answer to Sir William Davenants | 25 |
Copyright | |
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action admiration Allen Tate ancient appear Aristotle artist beauty Ben Jonson called character classical comedy concrete universal conscious criticism delight divine drama effect English Epic poetry essay Euripides example experience expression fact feeling fiction Freud give Greek hath Hegel Henry James Homer human idea imagination imitation James kind language learning less literary literature living meaning ment metaphor metre Milton mind modern moral nature never novel objects Oedipus passion perhaps person philosophical Plato play pleasure plot poem Poesie poet poetic poetry present principle produced prose reader reason Restoration comedy rhyme romanticism scene seems sense sentiment Shakespeare sith Sophocles soul speak spirit stanza story style T. E. Hulme T. S. Eliot taste things thought tion Tiresias tragedy tragic true truth ture unity verse whole words writing