Criticism; the Foundations of Modern Literary JudgmentMark Schorer Harcourt, Brace, 1958 - 553 pages |
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Page 123
... once . By starting the play at the end of the story , and showing on - stage only the last crucial episode in Oedipus ' life , the past and present action of the protagonist are revealed together ; and , in each other's light , are at ...
... once . By starting the play at the end of the story , and showing on - stage only the last crucial episode in Oedipus ' life , the past and present action of the protagonist are revealed together ; and , in each other's light , are at ...
Page 432
... once the source , and end , and test of art . Art from that fund each just supply provides ; Works without show , and without pomp presides : In some fair body thus th ' informing soul With spirits feeds , with vigour fills the whole ...
... once the source , and end , and test of art . Art from that fund each just supply provides ; Works without show , and without pomp presides : In some fair body thus th ' informing soul With spirits feeds , with vigour fills the whole ...
Page 480
... once a consequence and an indication of his perennial existence . It is the desire of the moth for the star . It is no mere appreciation of the Beauty before us - but a wild effort to reach the Beauty above . Inspired by an ecstatic ...
... once a consequence and an indication of his perennial existence . It is the desire of the moth for the star . It is no mere appreciation of the Beauty before us - but a wild effort to reach the Beauty above . Inspired by an ecstatic ...
Contents
PLATO The Poet in the Republic | 1 |
LONGINUS On the Sublime | 10 |
THOMAS HOBBES Answer to Sir William Davenants | 25 |
Copyright | |
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action admiration Allen Tate ancient appear Aristotle artist beauty Ben Jonson called character classical comedy concrete universal conscious criticism delight divine drama effect English Epic poetry essay Euripides example experience expression fact feeling fiction Freud give Greek hath Hegel Henry James Homer human idea imagination imitation James kind language learning less literary literature living meaning ment metaphor metre Milton mind modern moral nature never novel objects Oedipus passion perhaps person philosophical Plato play pleasure plot poem Poesie poet poetic poetry present principle produced prose reader reason Restoration comedy rhyme romanticism scene seems sense sentiment Shakespeare sith Sophocles soul speak spirit stanza story style T. E. Hulme T. S. Eliot taste things thought tion Tiresias tragedy tragic true truth ture unity verse whole words writing