Criticism; the Foundations of Modern Literary JudgmentMark Schorer Harcourt, Brace, 1958 - 553 pages |
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Page 116
... observed that understanding ceases when we cease to wonder , that , as Pascal , a less complacent man , observed " there are reasons of the heart of which Reason knows nothing . " T HERE is a fundamental difference of ap- proach between ...
... observed that understanding ceases when we cease to wonder , that , as Pascal , a less complacent man , observed " there are reasons of the heart of which Reason knows nothing . " T HERE is a fundamental difference of ap- proach between ...
Page 213
... observation will be manifest . For example Aeschylus and Euripides each com- posed the same iambic line . But the ... observed , the practice , we may say , of most poets . 3. Here transcendent excellence of Homer is manifest . He ...
... observation will be manifest . For example Aeschylus and Euripides each com- posed the same iambic line . But the ... observed , the practice , we may say , of most poets . 3. Here transcendent excellence of Homer is manifest . He ...
Page 236
... observed in it ; for there appear two actions in the play ; the first naturally ending with the fourth act ; the second forced from it in the fifth ; which yet is the less to be condemned in him , because the dis- guise of Volpone ...
... observed in it ; for there appear two actions in the play ; the first naturally ending with the fourth act ; the second forced from it in the fifth ; which yet is the less to be condemned in him , because the dis- guise of Volpone ...
Contents
PLATO The Poet in the Republic | 1 |
LONGINUS On the Sublime | 10 |
THOMAS HOBBES Answer to Sir William Davenants | 25 |
Copyright | |
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action admiration Allen Tate ancient appear Aristotle artist beauty Ben Jonson called character classical comedy concrete universal conscious criticism delight divine drama effect English Epic poetry essay Euripides example experience expression fact feeling fiction Freud give Greek hath Hegel Henry James Homer human idea imagination imitation James kind language learning less literary literature living meaning ment metaphor metre Milton mind modern moral nature never novel objects Oedipus passion perhaps person philosophical Plato play pleasure plot poem Poesie poet poetic poetry present principle produced prose reader reason Restoration comedy rhyme romanticism scene seems sense sentiment Shakespeare sith Sophocles soul speak spirit stanza story style T. E. Hulme T. S. Eliot taste things thought tion Tiresias tragedy tragic true truth ture unity verse whole words writing