Criticism; the Foundations of Modern Literary JudgmentMark Schorer Harcourt, Brace, 1958 - 553 pages |
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Page 185
... look at from the outside , where it seemed quaint and picturesque . This , of course , is not quite the whole story of Hardy's profound in- sight into human character , or of his mastery of dramatic form which he achieved in spite of ...
... look at from the outside , where it seemed quaint and picturesque . This , of course , is not quite the whole story of Hardy's profound in- sight into human character , or of his mastery of dramatic form which he achieved in spite of ...
Page 280
... looks a little surprised at being there , but beauty ought to look a little surprised : it is the emotion that best ... look surprised , who accepts her position as her due - she reminds us too much of a prima donna . But let us get ...
... looks a little surprised at being there , but beauty ought to look a little surprised : it is the emotion that best ... look surprised , who accepts her position as her due - she reminds us too much of a prima donna . But let us get ...
Page 345
... look for it ; the calm of Nature gives the poet an immediate self - knowledge . But we have already had two entrancingly witty verses about the sublimation of sexual desire into a taste for Nature ( I should not say that this theme was ...
... look for it ; the calm of Nature gives the poet an immediate self - knowledge . But we have already had two entrancingly witty verses about the sublimation of sexual desire into a taste for Nature ( I should not say that this theme was ...
Contents
PLATO The Poet in the Republic | 1 |
LONGINUS On the Sublime | 10 |
THOMAS HOBBES Answer to Sir William Davenants | 25 |
Copyright | |
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action admiration Allen Tate ancient appear Aristotle artist beauty Ben Jonson called character classical comedy concrete universal conscious criticism delight divine drama effect English Epic poetry essay Euripides example experience expression fact feeling fiction Freud give Greek hath Hegel Henry James Homer human idea imagination imitation James kind language learning less literary literature living meaning ment metaphor metre Milton mind modern moral nature never novel objects Oedipus passion perhaps person philosophical Plato play pleasure plot poem Poesie poet poetic poetry present principle produced prose reader reason Restoration comedy rhyme romanticism scene seems sense sentiment Shakespeare sith Sophocles soul speak spirit stanza story style T. E. Hulme T. S. Eliot taste things thought tion Tiresias tragedy tragic true truth ture unity verse whole words writing