Criticism; the Foundations of Modern Literary JudgmentMark Schorer Harcourt, Brace, 1958 - 553 pages |
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Page 79
... least reconcile the desires of the beholder , not necessarily , as the naiver exponents of Freudian psychology maintain , by gratifying individual and often eccentric wishes , but at least by satisfying the universally human desire to ...
... least reconcile the desires of the beholder , not necessarily , as the naiver exponents of Freudian psychology maintain , by gratifying individual and often eccentric wishes , but at least by satisfying the universally human desire to ...
Page 352
... least describes the sense of richness ( readiness for argument not pursued ) in such language and the fact that one ambiguity , even though obtained in several parallel words , is not enough for it . That this talk about a hierarchy of ...
... least describes the sense of richness ( readiness for argument not pursued ) in such language and the fact that one ambiguity , even though obtained in several parallel words , is not enough for it . That this talk about a hierarchy of ...
Page 442
... least exterior hindrance to such small springs , or the least internal dis- order , disturbs their motion , and confounds the operation of the whole machine . When we would make an experiment of this nature , and would try the force of ...
... least exterior hindrance to such small springs , or the least internal dis- order , disturbs their motion , and confounds the operation of the whole machine . When we would make an experiment of this nature , and would try the force of ...
Contents
PLATO The Poet in the Republic | 1 |
LONGINUS On the Sublime | 10 |
THOMAS HOBBES Answer to Sir William Davenants | 25 |
Copyright | |
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action admiration Allen Tate ancient appear Aristotle artist beauty Ben Jonson called character classical comedy concrete universal conscious criticism delight divine drama effect English Epic poetry essay Euripides example experience expression fact feeling fiction Freud give Greek hath Hegel Henry James Homer human idea imagination imitation James kind language learning less literary literature living meaning ment metaphor metre Milton mind modern moral nature never novel objects Oedipus passion perhaps person philosophical Plato play pleasure plot poem Poesie poet poetic poetry present principle produced prose reader reason Restoration comedy rhyme romanticism scene seems sense sentiment Shakespeare sith Sophocles soul speak spirit stanza story style T. E. Hulme T. S. Eliot taste things thought tion Tiresias tragedy tragic true truth ture unity verse whole words writing