Criticism; the Foundations of Modern Literary JudgmentMark Schorer Harcourt, Brace, 1958 - 553 pages |
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Page 63
... interest is in personalities . Let us take it first , then , to lie between Macbeth and the persons opposing him ... interest in Macbeth may be called interest in a personality ; but it is not an interest in some bare form of self ...
... interest is in personalities . Let us take it first , then , to lie between Macbeth and the persons opposing him ... interest in Macbeth may be called interest in a personality ; but it is not an interest in some bare form of self ...
Page 508
... interest or group of interests swinging back to rest . To understand what an interest is we should picture the mind as a system of very delicately poised balances , a system which so long as we are in health is constantly growing ...
... interest or group of interests swinging back to rest . To understand what an interest is we should picture the mind as a system of very delicately poised balances , a system which so long as we are in health is constantly growing ...
Page 509
... interests develop ; sex is the outstanding example . His needs in- crease , he becomes capable of being upset by quite new ... interest is reacting through that means , and all the rest of the experience is equally but more evidently our ...
... interests develop ; sex is the outstanding example . His needs in- crease , he becomes capable of being upset by quite new ... interest is reacting through that means , and all the rest of the experience is equally but more evidently our ...
Contents
PLATO The Poet in the Republic | 1 |
LONGINUS On the Sublime | 10 |
THOMAS HOBBES Answer to Sir William Davenants | 25 |
Copyright | |
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action admiration Allen Tate ancient appear Aristotle artist beauty Ben Jonson called character classical comedy concrete universal conscious criticism delight divine drama effect English Epic poetry essay Euripides example experience expression fact feeling fiction Freud give Greek hath Hegel Henry James Homer human idea imagination imitation James kind language learning less literary literature living meaning ment metaphor metre Milton mind modern moral nature never novel objects Oedipus passion perhaps person philosophical Plato play pleasure plot poem Poesie poet poetic poetry present principle produced prose reader reason Restoration comedy rhyme romanticism scene seems sense sentiment Shakespeare sith Sophocles soul speak spirit stanza story style T. E. Hulme T. S. Eliot taste things thought tion Tiresias tragedy tragic true truth ture unity verse whole words writing