Criticism; the Foundations of Modern Literary JudgmentMark Schorer Harcourt, Brace, 1958 - 553 pages |
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Page 203
... follow anything by causal neces- sity , but after which something naturally is or comes to be . An end , on the contrary , is that which itself naturally follows some other thing , either by necessity , or as a rule , but has nothing ...
... follow anything by causal neces- sity , but after which something naturally is or comes to be . An end , on the contrary , is that which itself naturally follows some other thing , either by necessity , or as a rule , but has nothing ...
Page 489
... follow . We are here invited to trace the stream of English poetry . But whether we set ourselves , as here , to follow only one of the several streams that make the mighty river of poetry , or whether * " The Study of Poetry " was ...
... follow . We are here invited to trace the stream of English poetry . But whether we set ourselves , as here , to follow only one of the several streams that make the mighty river of poetry , or whether * " The Study of Poetry " was ...
Page 537
... follow his advice . He told them to choose , then stated the issue in such a way that there was no choice . Those that love Rome , he said , must agree that Caesar should have been killed . Those that do not love Rome , should object ...
... follow his advice . He told them to choose , then stated the issue in such a way that there was no choice . Those that love Rome , he said , must agree that Caesar should have been killed . Those that do not love Rome , should object ...
Contents
PLATO The Poet in the Republic | 1 |
LONGINUS On the Sublime | 10 |
THOMAS HOBBES Answer to Sir William Davenants | 25 |
Copyright | |
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action admiration Allen Tate ancient appear Aristotle artist beauty Ben Jonson called character classical comedy concrete universal conscious criticism delight divine drama effect English Epic poetry essay Euripides example experience expression fact feeling fiction Freud give Greek hath Hegel Henry James Homer human idea imagination imitation James kind language learning less literary literature living meaning ment metaphor metre Milton mind modern moral nature never novel objects Oedipus passion perhaps person philosophical Plato play pleasure plot poem Poesie poet poetic poetry present principle produced prose reader reason Restoration comedy rhyme romanticism scene seems sense sentiment Shakespeare sith Sophocles soul speak spirit stanza story style T. E. Hulme T. S. Eliot taste things thought tion Tiresias tragedy tragic true truth ture unity verse whole words writing